​     I'm now an artistic machine. A very human one, indeed, but a machine in the sense that my artistic involvement with life, absorption and output is constant, synchronised, automatic.

I paint and write every day. I think about projects, current and future, the much of rest of the time. Even when I am not physically producing, I am inputting and assessing things from a creator's standpoint. I notice what I am noticing. I store thoughts, ideas, observations for future integration.

When I use the word machine, I do not intend to de-humanise my process in any way. If anything, I am even more organic, fallible, sentient in my approach than before. It's primarily the output to which I allude and the churning nature of my inner mechanics. Over time they have been constantly updated and fine tuned to my circumstances and environment. They have been put through a steady stream of rigorous tests, physical, moral, emotional and metaphysical. They have been pushed close to the point destruction numerous times and because of it, through adapting, have become stronger, more streamlined, with more clarity.

I have stubbornly surrendered my bold and reckless feelings of immortality and replaced them with new sentiments of acceptance of limitations - temporal and physical, gratitude and 'make the best of what you've got to work with' attitude. As do all, eventually, I have had to face some hard, hard lessons, my knees have been buckled, my belly has been sucker punched, I've had the air knocked out of me. I've been on my knees, begging, flat on my back, bleeding and in the wilderness, stumbling, utterly lost and distraught. 

And yet, here I am, still. My resolve has hardened, my outlook has broadened and in-look has substantially deepened. None of this I asked for. It was thrust upon me. Life! Life! I've got one. It is messy, ragged, precarious and precious. Fewer things now are taken for granted. Essentials: like my teeth, my eyes, my hearing, my digestion, my mobility and my consciousness. All of these things have been put in jeapordy over the last half a dozen years. 

When I look in the mirror now, I cannot fool myself. The open eyed and open minded young man who for so long commanded the helm is no longer present. He has been replaced with a more hardened facade. One that is wrinkled, sand blasted, worn. Youthful zest has been replaced by weathered knowingness, the slightly weary and wary gaze of a survivor.

Of course, none of this is unique to myself. I know that. It's a rite of passage. What I am doing, is expressing the process and outcomes in my own away. I am recording my experience of this stage of life passage. Sharing it. The reason for putting it in words is two fold. One: it's an interesting challenge for me, one that helps bring form and clarity to it all, adds to my insight, fractionally lessens the burden. Two: for eventual readers of these words and thoughts there will be, for those who have been through or currently going through similar, a comforting and perhaps fortifying assurance. We're all the same, we're all one - that vibe. And for those who are younger, yet to reach this point, these messages can serve as a harbinger, a map, a parable that may serve as a guide, a foretelling. 

Cause this whole fucking experience goes way beyond what you can imagine. Each of us is tested not only to our limits but beyond our limits. Who knew? Who signed up for this? We all did, apparently. And then what? Mission completed, we vacate. Game over. We return to the vastness.

But in that gap, in that time between eating dirt and turning to dust, during the few years or decades left, in which I currently reside we are treated to a fierce new flavour. My mouth is full of it right now. My head is, too. It possesses me, in fact. It informs my decisions and choices, artistic and otherwise. It's a whole new stage. There is no manual, per say. You've got to pick and forage for your plans and strategies of your own. But as long as the passion has not died, as long as there  are a few more "fuck you"s to mutter, a few more dreams and aspirations to not give up on, a few close and meaningful individuals to care for and about, as long as there is breath, there is hope, there is reason to carry on, to continue to grow, build, make and materialise. 

You learn that as long as it's not one of those times when you've got no choice - then you've got choices. And you know now, you've learnt; choose wisely. Or recklessly. As you see fit. It's your life trickling through your fingers... make the best of what you've got left. 

I always wanted to work in the movies.

When I was fourteen or fifteen my father formally called me into their bedroom for a discussion. I was having a few issues at school - trouble with accepting authority, occasional truancy, playing class larrikin, detentions and suspensions. My grades weren't great, I rejected the concept of homework (they can make me go to school but once I am out, my time is my own), I chose not to participate in after school sports or clubs.

Not your ideal student, I now see quite clearly. But at the time, I was instinctively rebelling against what I perceived to be injustice and domination. I did not choose not belong. I did not belong. The rigid, intense, result-oriented system did not integrate well with my free spirited, easy going nature. Teachers attempts to force me to comply only resulted in a stronger sense of anarchy in my young spirit.

I wish I had been there, the me now, to support and nurture that young fellow.  He wasn't a trouble maker, not really, he just had a sense of freedom and fun. He truly had not interest in chemistry or physics class. He knew that studying those subjects, as well as Latin and Religion, were a waste of his time. I would have said - if he has to be locked up here, why not just let him do art and English, drama and choir all day. And a long lunch. Maybe leave a bit earlier. Come in a little later. Four days instead of five.

I know now that the me then, was essentially the same as the me now. I wasn't someone who was going to be changed or melded by a bunch of strangers. Especially not by austere, sometimes deranged, sadistic, even perverted, assholes.

In the few subjects I had good hearted teachers (English, Art, Geometry, French) my attention giving and grades were pretty good. I just found it impossible to tolerate bullies and dictators.

My father, bless him, was a very different kind of person to me. He was an achiever, he thrived on rules and structures, he did not mind following, behaving. I was, in his estimation; a failure. If not already, then destined to be one if I kept up with my rebellious behaviour. I know this because he told me so.

"What do you want to do with your life? What is your plan? What do you want to become?" were the questions I was asked that evening, at that meeting, which felt serious and important, formal. Both my parents were there but my father was leading. They were worried about me, he said. The school had rung again. (The truth is mostly I tried to keep out of trouble, ie, not get caught. And  mostly, I succeeded. The reprimands and punishments I received were a minor fraction of my actual infractions. So, I was actually, in my own way, quite canny and intelligent. I also was aware of having been selected for and invited to attend a special school for advanced intelligence children after testing. I decided I did not want to go, when given the choice, because I did not want to leave behind my friends. Regardless, we soon left Sydney for Tokyo.)

"I want to make movies", I replied, after giving it some thought. The answer felt right, in fact, it felt like the only possible answer with any veracity. At that stage of my life, I also liked collecting comics, listening to radio drama, drawing, writing stories... but I loved movies. They were powerful and captivating things. Enthralling. If I had to be involved in some sort of formalised activity - well, that would be it. At least it wouldn't be boring.

"Movies?" My father scoffed. "How can you say that you want to make movies? What makes you think you can make movies?"

Oh. I have to answer. 

I had actually made a few Super 8mm films by then, but nothing elaborate. I did not have any feature credits to my name... In fact, I did not even know exactly how the process worked - screenplay, rehearsals, actors, director, producers, art department - I just instinctively responded to the question with honesty and optimism.

"I love movies." I said. And do what you love, right? Wrong.

"Just because you love movies doesn't mean you have any talent or will ever be able to work in movies. It's a very specialised industry. I'm talking about work. A job. What kind of job are you going to be able to do when you leave school? If you keep up the way you are, you'll be working in Woolies at the checkout. Is that what you want?"

"Er, no." I replied. (Thinking: it wouldn't be that bad. Standing behind the till. Playing with the machine. Chatting with people...)  But I said no. And it wasn't my dream, nor my goal. 

"If you don't start behaving and doing better at school, you will end up nowhere, with very little..."

The meeting was adjourned soon after. I agreed to try harder. I accepted that my answer to the question of what I wanted to do with my life was not acceptable.

I feel sad now. If only I had been encouraged. If only in that rare, important moment, when I was point blank asked what I wanted to do with my future, I had been listened to, heard. Things could have gone so differently. Why ask a young boy that question then squash his heartfelt, impulse response? Obviously it did not fit in with my father's agenda and world view. It was not about my life. It was about his life. And about curtailing the disturbance that my behaviour was causing. And, just like the teachers I hated, trying to make me into something I wasn't.

That moment was a very long time ago. That was the moment that a father inadvertently condemned his son to a life lead with an attitude of underlying defeatism, surrender, displacement.

                 ------------------------------------------------

Cut to me at twenty. At art school. Living in Sydney. I still loved movies. A year before, I had been to every cinema complex along the main street in Sydney seeking employment. Just fill out the form, I was told by unenthusiastic lady ticket sellers. I never heard back, of course, from any of them. It was a closed shop. Those jobs paid well, vacancies were rare and often handed to friends and connections. Being an usher was considered working on the fringe of show business. It required wearing a bow tie and a fancy jacket, dealing with the public with class and efficiency. Nobody walking in off the street was going to get in. That much became clear. Still, I really wanted to work in a movie theatre. Better yet, a multi-theatre complex.

One afternoon, while with my brother and my girlfriend, perusing the books at the old Gould's book shop in it's original location in George Street, directly opposite Hoyts cinemas before heading downstairs to Crystal Palace to play some snooker, I had what I can only describe as a moment of pure, unfiltered inspiration. I was zapped, nudged by some energy, given a specific mission.

"Wait here guys, I'll be back soon." I said, and ran out the door. I crossed the street. Entered Hoyts. "I am here to see the manager!" I pronounced with premeditation. 

"Do you have an appointment?" the lady asked. 

"Yes!"

"What's it in regard to?" she asked.

"About working as an usher."

She checked her big red diary. Slight frown.

"You're a bit early." She harumphed and climbed off her high stool. "Wait here." She trudged half way down the corridor of ticket sellers and disappeared into a doorway. She reappeared with a message. "Mr Cesarro will be out in a minute."

Whoa. I can't exactly say things were going to plan, because I didn't exactly have a plan. Well, I did. I wanted to get a job there. But I hadn't exactly anticipated speaking to a manager. He appeared, beckoned me. We went in through some glass doors, then another security door to his office.

Suddenly, I was being interviewed for the position. My instincts were honed enough, from years of talking my way around a subject and out of trouble at school, that I was able, much to my surprise, to charm my way into an immediate job offer. I was to start in a few days time. Two shifts a week, Friday and Saturday nights, to begin with. I was to go immediately to see the head usherette, Laurel, and get fitted for a bright red jacket and receive a call sheet, instructions and a torch. I walked across the lobby, almost floating. I was nearly there. One final test to get through. The manager had called ahead, so she was expecting me. It all went smoothly. I winged it. I was in.

Mook and Bianca could not believe it. How??? Really? Yes, it happened. They were happy for me - and it also meant free movies for them, at least twice a week. And I loved it, too, even more so. I had accessed an environment, an institution that I had long desired to infiltrate - the dark pantheon of cinematic wonders, the arena of entertainment, manufactured fantasy. It wasn't yet the level of actually making movies - which was still my ultimate goal - but I had forged through the first protective industry layers of obstruction, using will and wit and temerity. I was no longer just a paying member of the public, I was in the club. On the fray of show biz. Movies were free, now - all you can watch. Not just at Hoyts, but due to a reciprocal agreement, at any and every cinema across the city. Not only that, but I would be surrounded by cinemas (seven), immersed in film, connected more closely to the world of my early predilection. Finally.

I was working in movies!  

This is today. New Brighton beach in Northern New South Wales. I snapped this shot before an afternoon walk and swim. While I was immersed in the ocean I thought about what it is that drives me to enter the sea on a daily basis, what the reward is. I actually started speaking out loud about it, free versing while being lapped by the waves, expressing the moment to myself and the omniscient planet soul. I used a retarded Jerry Lewis voice for our amusement. 

What I came up with is this:

You enter the ocean. It is a massive body of energy, the biggest on the planet. You connect with it. You give yourself to it. You become one with it. It is soothing, embracing, invigorating. It is a pure force of nature. You commune with it. Float, frolic, flap around. Play.

Then, above you - the sky. It is majestic and limitless. I looked up and realised that there is no end to where I am gazing. It goes on and on. And on and on. The sky is infinity. It is a window to eternity. Timelessness, a universe. A galaxy. All right there. Up there, above.

So, the ocean comforts and the sky humbles. I am comforted and humbled. This is a good combination. I feel surrender and awe. Giddy with the realisation that life itself is beyond comprehension. But that doesn't matter. All I have to do is splash around. A teeny, tiny little human. Living in the moment. One with the sea and and the sky. One with everything.

When you take snapshots of yourself and select your favourite - what are you looking for? Are you trying to see/portray yourself for who you are or are you trying to capture/present a version of yourself that most fits your ideal self image?

Makes sense to do the latter, of course. But a selfie is just the cover. What really is important is what's inside the book. And what is equally important is that - this may come as a surprise - that YOU READ THE BOOK.

The book of self. New pages everyday. Some bits you write, others are written for you. All you have to do is record them. Some bits get erased. Some segments are abbreviated. Some are drawn out. 

What is your story, though? 

These days there are lots of book covers being flashed around but there is less and less content being revealed. Why is that? 

There's always so much going on that things like long, intimate conversations with lucid friends, meaningful connections, investments of time and energy in those in need, etc - have become less prevalent. 

Character. Personal morality. Philosophy. Discourse. Ethics.

In this money focused, ambition driven society there is less and less time for these things. Perhaps because the world has become so thick with information (and disinformation), in addition to entertainment and various forms of distraction (facebook, twitter, insta for starters), it is so easy to just drift along on a raft and never have to paddle or pull over to the shore and stake a claim or make a home. We are overwhelmed by complex systems, wheels within wheels; social, political and physical.

The world now takes it's own selfie, every day, every minute, every second. And we are not sure what to think. It is always changing! It's alluring, dangerous, stimulating, confronting, familiar and foreign all at once. Are we part of it? Have things gone beyond the point where one person, any given single entity - with their views, opinions, feelings, thoughts, outlooks - really matters? Is it all too much? Is the river now a tidal wave, a tsunami? Are we all just hanging on and hoping to land somewhere safe?

We take selfies to benignly assert our presence in the modern day. Look! This is me! Having fun, acting cool, being silly, sexy, wild! I exist. I am living the life. Whatever that is, at the moment. Don't ask. Questions make for discomfort. Questions stir things up. Especially questions we avoid asking ourselves. Those ones. The ones we are not sure we are even equipped to answer. Why bother? It's easier to just float along from day to day. Things will work out. 

Thing is - who are you?

Don't you want to get to know yourself? Look at yourself? See what you are made of? Get to know your true essence? 

If you do, you can, and you won't regret it. To find, you must seek. And the answers will only come once the questions are asked. And no one is going to do that for you. Not once you are an adult, anyway. It's your responsibility. In some ways, it's your primary one. To get to know yourself. Beyond what is on the cover. Beyond the presentation. Open the book up. Look inside. There is a world as grand and magical as you can imagine. There are things there that might make you uncomfortable, even fearful. But the truth is there is nothing to be afraid of. It's all you. 

And you, my friend, you're a flawed and complex, sentient being. Just like us all. Do not judge or condemn. Accept and embrace. Discover. Uncover. Allow. Once you can do it for yourself, you'll be able to do it for others. 

What does this mean in real terms - beyond the new age slogans? I don't know. It's different for us all. What I am saying - to myself, really - is that there is a need for more substance, more fibre, grit, integrity. What good is it to simply exist, without allowing your character to grow, to be revealed, to be celebrated in essence? Why not at least try to sort through your shit and dust off your dreams, pick up the book you have neglected and start to make up some stuff that you will proud of one day. Make a story, live a story, that you want to read. It doesn't matter what the fucking cover looks like, it's what's inside that matters. We want laughter and tears and meaningful, wonderful events to occur. Substance. You hear me? 

Each new day 
brings
it's own sensations, smells, flutterings

It springs
forth from the night

After respite
We are called to action
Could be challenge
Sometimes satisfaction

Each new day
promises
Hope, joy, fulfillment, adventure

We expect
Reward for our efforts

We anticipate
Arrivals and departures
With equal parts
Of soothing and sting

We feel things
Strings of things

We react and adapt
To

Each new day
surly
surrounds us
astounds us
whirly
confounds us
compounds us

Luckily
The sky is blue
And the sun gives warmth
And animals
Do their thing
Each new day

Choices, a lot of them
Perception, assessments
Intuition, responses

It's called being alive
and

Each new day
reminds us
relentlessly

Without judgement 
Or imposition
That each of us 
Is a mixture

Of confidence and surrender
Wonder
Acceptance
Suffering
Trust

and Hope
that

Each new day
Will be a little better
Than the one left behind
Washed away
Like our dreams

Did it ever really happen?
All of this, all of that

Each new day
Reminds us
Relentlessly

That we will never, ever know

As an artist
Uncertainty is certain
Just being is a burden
You wanna break free
Show the world how to see
How much better it could be

As an artist
Vision is pure
You search for your style
The obvious is obscured
By the crap you were taught as a child

As an artist
You yearn and you hunger
You are full of hubris and anger
It doesn't come easy, not ever
To enrapture you endeavour

As an artist
You strive for you own kind
Of perfection
It may look messy, insane
But they are your rules, your game
And nobody can tell you what to do
What's true
What's meaningful
Or necessary
Is that a cricket ball or a cherry?

Some days you hate everything
Nearly as much as yourself
Other days almost heaven
Somehow
It's going to work out
You tell yourself

As an artist
No lies
Except whenever
No limitations
On the number of limitations
Courtesy of society or self imposed 
You lack propriety
You jump on toes
Just to hear the crunch
A shot or a joint before lunch
Some days 

As an artist
You yearn to escape
You need to unwind 
The fucking jumble of gibberish
Awash in your mind
You wouldn't mind
If it wasn't so awful
You wonder what it would be like
To be normal 
Sometimes 
But not for long
You don't need to belong 
You don't want to belong
Now do you

As an artist
Your pain
Is everyone else's gain
Especially after you're gone
You'll be celebrated, idolised
Or forgotten
Who cares
You care
Stay strong

As an artist
You have no choice
But to do what you do
To follow that path to the end
And trust your intuition
That you vision will see you through

Today, at least
Your pain has been released
Onto the canvas
Down for the count
Breathless and speckled
Staring, mouth agape
At the new creation on the easel
A fresh image to appease you

It's easy
As an artist
To tell yourself anything
To sell yourself short
To yell on the inside
To inseminate and abort
In blindingly quick succession

And details too decadent to mention

But at least you have one thing
Of which you can be certain
 . . . . . . . . . . . . . . . . . . . . . . 
. . . . . . . . . . . . . . . . . . . . . . 

As an artist

I don't have to tell you what that is
Now do I

As a sentient being there is no escape from feeling and experiencing life. We like to believe that there is a reason behind it all, a justification, a validation for our demanding and formidable journeys. But what if there is not? What if this realm is truly just a harsh and difficult existence? One that, for reasons beyond comprehension, has to be experienced? Nothing gained can be taken with you. Any relief from the never ending demands are just temporary and fleeting. In fact, they may only add to the magnitude of suffering that is to come. 

Buddhist teaching says that life is suffering and I have to agree. It just seems almost too hard sometimes. I don't see what the purpose of this enforced series of procedures is. Endure, endure, endure, then die. OK. What was that for exactly? Some lives have extended times of loving and beauty and freedom and joy, but from what I have witnessed; most do not. There are times of comparative relief and short periods within a day or a month or a year or a life that are not stressful and demanding but mostly, it's just hard going.

I have engineered my life to have as few demands and stresses as possible. I try to have plenty of free time to pursue art and writing and thinking and just being. I have time for exercise and connecting with nature and relating with good people and play. And yet still, there is a heaviness, a constant, sublime feeling of uneasiness. Sometimes it's simply because life itself is so much to comprehend. We are mere mortals. Puny. We are specks. Star dust. Flippity-floppety little human entities. What are we doing? What are we really here for? It seems as though there has been a mistake made along the way in evolution, we've taken a wrong turn. If this is of our own spiritual creation, our own devising.... why would it be like THIS??? 

I find it hard to abide. Really. Sometimes more than others. And, of course, I acknowledge the incredible beauty that surrounds us, the dignity of fellow beings, the miracle of life, the gorgeous glory of newborns and children, etc. But I still feel that there is a quantifiable imbalance. Life is not what I imagined it would be. I thought that the struggle during teen years, through the twenties.... and on... would lead to some kind of resolution, a settling. Some kind of peace, mental and spiritual. But I have found no evidence of this. Am I missing something? I live in a great country, in a wonderful, peaceful, friendly small town, I have a supportive family and great friends across the globe. I have my health, physical and mental. And yet...

I'm raving, I know. But that is what this forum is for. An occasional ablution is necessary. Even this writing, though, what is it? Little symbols that form words and concepts. You can read them and get something. You can hear my soul. Is it singing or is it screaming? Am I a madman shouting or an ordinary man who is questioning that nature of reality, one who is not content to turn away, one who is compelled, often despite his own wishes, to face the immense, throbbing, pulsating, infinite series of vibrations and molecular clashes that form a never ending cacaphony of thoughts, images, sounds, sensations and experiences? 

I am screaming. Silently. Am I calling for help? No. Not really. Am I looking for acknowledgement? No, not really, that either. Then... ? 

I am trying to express the complex nature of my relationship with life. It is compelling. It is complex. It is relentless. I have travelled through it for 53 years so far. No bad. It's been quite a journey and there have been plenty of times and experiences that I cherish and am thrilled to have had. Plenty. I am not complaining. I am not bitter or angry or resentful by any means. In fact, I am grateful. But the fact remains, that between when I get up each morning to when I go to sleep each night, there is a series of thousands, tens of thousands maybe, of feelings, FEELINGS that pass through me, some lingering, some flashing, many of little consequence, a few profound.... FEELINGS.... that make up my day. By the end I am tired. As I go through it, I am challenged. I cannot name these phantoms, I cannot categorise everything - although I often try to in an attempt to come to terms with it all. 

I have to believe that surrender, surrender is what should be done. Let it go. Let it be. And I do that. I really do. Still, still, still...! Can you hear me? I am a sentient being hurled into a life form that has become comfortable and familiar, not only second nature, but first nature. I acknowledge that I am a person. Humble, vulnerable, fragile. But with powers to take it on, whatever. With a will to live and endure till the end. A will to survive, to thrive. I am weary, I am wounded. I admit that this brand of reality is not what I would have chosen. I'd like something more like heaven, all the cliched juice with a bit of sauciness and some thrills. I'd like more of the good stuff and less of the pain. I'd like better endings, more satisfying middles and unlimited new beginnings. I would like, you know, utopia. Bring it on. Seriously. Like now, already!

So, if it lays up ahead for us all, waiting to surprise us, reward us for our hard work, our labour, if it is our destination. Well, then, OK, I will continue to endure this weird blend of exquisite suffering until then. But seriously, it better be there up ahead.... or I'm going to be one disappointed corpse!

One of the joys of keeping an artist's journal like this is that there are no plans or pressures. I just start writing, whenever, whatever and let the flow take me where it will. It is oft times as revealing to me as it would be to anyone else. Of course, I have a more intimate knowledge of myself than anyone else, and yet, due to the complex nature of consciousness, psyche and psychology, revelations can and do still appear out of nowhere.

By now, although an amount of ego still remains (mostly dormant, reading a book in the shade), I act predominantly from other areas of self. These writings for example, although about self are not recorded in an attempt to elevate my self opinion or baste my ego. They are done as means of introspection and revelation. I use my self as a case study of sorts in an attempt to dissect and understand the nature of being human. I happen to be this person, so I observe him and make reports. I am glad to be him, er, me, because, if nothing else, as a specimen, I am unique and can be amusing at times. I mean; he is.

The other morning when I awoke, I got up and went online. I noticed how quiet it is, to sit at your computer and sample the internet. I realised that this is one of the things that I like about using my computer. It is quiet. Almost silent. Peaceful. 

A list of some other things in life I really appreciate:

solitude
serenity
as few demands or expectations as possible
freedom
self devised schedule
few time constraints
staying up late
sleeping in
commune with nature
library visit
reading time
thinking time
creative time

I have directed/constructed my days so that there is an ample amount of these things in each day.

My phone rings maybe once a week. This suits me fine. Even less would be better. I used my phone - a large screen Samsung Note 1, with a stylus to create artworks in a program called SMemo. An average of three hours per day which yields four or five new works. I create these works mostly in a cafe or at the library. Sometimes sitting in my car.

My car is from the 90's. It's small, rusty, rattly and lots of things don't work. But it gets me there. A nice car is something I would really like and I do spend a fair amount of time imagining the joy and luxury of owning a Range Rover Evoque, a Lexus or a new model Merc. These are fantasies akin to those that a hungry man on a desert island would have of unlimited access to a bountiful and succulent buffet. They get me through the rocky ride home. And still, I am grateful to have a vehicle that takes me to destinations of my choice.

I live from week to week. My income is at the poverty level. I have enough to rent the smallest room in a share house of four, buy fruit and veges for the week and put petrol in my car most of the time. A few times a week I will have a meal out, the average budget is $11. My favourites are the Sunday curry, which I eat sitting in my car by the river at sunset, the bean nachos from the tiny, rowdy small town pub which I eat while reading my book, surrounded by unruly, loud and friendly old school ockers and the mid week small pesto and pumpkin pizza at the RSL club, which I supplement with a generous amount of apple sauce from the condiments table. These simple treats give great satisfaction.

Although I would, of course, like to have more money to do things like travel, buy big canvases and lots of paints and update my technology (and the car), I am not willing to trade in all my freedom and time for it. I have lived for decades now with very little and have come to appreciate the glorious things that are free. Like the beach, friendships and family, exercise, creating, writing and reading. A characteristic of my personality is that I require a pervading low pressure zone.

In some ways I am a social outsider, living on the fringes, but truth is, it's better here. Society, mainstream society at least, although filled with mostly good hearted and well intentioned people, has some priorities, expectations and demands that are excessive, misdirected, unjust and antiquated. I don't feel like I fit in, so I stay out. Luckily, I am an artist, so I can do this. Compared to a more conventional modern existence, it may appear lacking, but it isn't. Like many fine characters I know, I can't do normal. And, hey, that's OK.

Dear Artists,

It's a funny thing we do, eh?

Make pictures. 

Use line and form and colour, shading and perspective to make images. They come out of nowhere. Out of our heads. From out souls, through our bodies. 

Control and release. Control and release.

We watch ourselves in action, make amends. Where is it going? Shall I reign it in now or keep the flow? Will I go too far? Will I ruin it? Is it any good? What IS good?

Years and years and years it takes to truly find your groove. 

When you are beginning, it's experimentation. It's easy, joyful, tentative. With a few of the early pictures, there's the element of pride and a sense of accomplishment. "Look what I've done!' It feels amazing. It's almost like a drug. As you progress, you venture further, you apply yourself for longer and longer. You realise that it is no longer just a distraction. You become aware that you have found something, an activity, that gives back as much as it demands. 

It's one of the most complex puzzles that exist. It is never ending. The only rules are that there are none. You can do what ever you want. There are no wrongs or rights. It's all up to you. The freedom is incredible. And somewhat overwhelming, too. So much. Too much. There has to be some kind of structure. One that you make up for yourself. A form, guidelines within which you can let loose. You decide what is good. You feel what is good. It's very honest. There is no kidding yourself. 

Before you have a relationship with art. It's sublime. The more you enter into it, the more time and energy you invest; the more you get in return. But your return is not necessarily evident to anyone else. It is not tangible. It is not a trophy or money or a cheering crowd. No, no, art is too, too precious, too mindful and murky, mysterious and profound for that. It is connected to pure soul. It is not something that can be bought, traded or sold. Not the spirit of it. A great work of art contains spirit, sure, but what is captured on the canvas or the paper is only a remnant of what has gone into. A hint. The size and quantity and breadth of the passion that has powered the artistic creation is immeasurable. Immense. 

Creating a work is not unlike riding a wave. It cannot be boxed, labelled, re-created. It is fully being in the moment. Fully. Being. In. The. Moment. It is ecstasy. It is release. It is a pure connection with the absolute. 

You know what I am talking about, right? You've been there, too? Not often, but often enough. Enough to want more. Enough to be grateful. Grateful to be lucky enough to realise that whatever else may transpire in this chaotic, demanding, wounding, beguiling world: you are an artist. You can transcend. You have been given the tools and you have, with passion and diligence, applied yourself, focused your body and mind, channeled your spirt and contributed to the beauty and wonder of what is real, what is true, what is pure.

You have allowed your soul to shine through. Through the quagmire of daily demands, through the mist of social confusion, through the representation of at times debilitating personal demons - the ones that are out to get you! still!! - through that, through that to something timeless and ethereal, something momentous. You have brushed up against the infinite for a few seconds, in your avid pursuit of image and splash. 

You have glimpsed the glorious nature of nature and the brilliance and light. You have shifted shapes and animated line. You are a knight, a warrior, a hero to no one other than yourself. And even then. No, no, you are  a hero. For a time. You have put your entire being on the line for something you believe in. Something intangible but more real than anything. Life itself. 

You have communed and communicated. Touched and responded to the essence. Struggled and struggled and struggled some more. Until, years, decades later, you have found yourself. Standing in front of an image that you have conjured up out of nowhere. You know it but you don't it. You made it but you didn't. It is more that an expression, a picture. It is alive. It is you.

Hey kid,

You're a very sensitive fellow. But you are also very thoughtful, observant and wise. Your instincts are good - continue to follow them and believe in your own, unique, world view. 

You have to put up with a lot of crap from figures of authority. They are often wrong, as you suspected, and are really just stupid bullies. You fight them and lose because they hold all the power. But I admire your sense of righteousness and low tolerance for injustice. Don't let those fuckers break you! (They won't.)

Although you have a naturally positive and adventurous, hopeful outlook, you are often deeply saddened by your circumstances. You feel misunderstood and misaligned. You don't really fit in with conventional ways. This will not change. 

Your curiosity, love of reading, love of exploration and FUN are a centre point to your being. Your instinct is to do what makes you happy. This is a good thing. Stick with it. 

You love people - good people, open minded people, playful people, big hearted people. You are a champion for the under dog. Heck, you are the under dog!

Much of what you learn is though interacting with others - outside of the school system. You instinctively seek and find slightly older mentors who offer you new insight, support and reassurance. This is a good thing and will continue into your thirties. 

You love of romance and woman will continue to grow. Aren't they amazing creatures. As best as you can, treat them with respect and kindness. They thrive on attention and emotional connection. A few will try and get the better of you, but don't worry, they will soon fall away. 

You will be lucky enough to have some wonderful, exciting relationships with some truly beautiful women as you get older. Don't worry too much if it doesn't always turn out right for now. There's plenty to look forward to.

I remember you sitting on the steps, alone, outside the dance or the club, on occasion and feeling alone, sad. Wishing you could find someone to have a heart connection with. Don't worry, kid. They will come. 

You will marry, too. It won't last but you didn't want it to. She wasn't the right one and you knew this before you proposed. But, ironically, getting married was the only way out. She was a tough one to shake. She had emotional power over you. It wasn't until you become husband and wife and she cheated on you that you could sever the ties and walk away with clear conscience and freshly empowered. 

Your thirties are when you will really have some hugely rewarding love affairs and relationships. Some that last years, others months and a few for only weeks. But, kid, believe me, you will not be disappointed. 

Later in life, in your fifties, you'll remain un-remarried. After a promising relationship in your late forties that turns sour, you decide that being single is actually your preference. You love your freedom and independence. 

From early on, you choose to be a free spirit. You do not like to be pinned down, committed, or stuck. You like to sleep when you want, wake when you want and do as you choose with your time. This makes holding a job quite difficult. And after trying a few in your late twenties you decide it's not for you. 

After all, you are an artist. An artist and a writer. Did I mention that? Yes, it's true. Your love of books and art and movies never wanes and you begin to express your own truth. You go to art school. You study film making. You write and publish your own poetry and stories and comics. You even publish a book when you are forty. It's called 'All I've Ever Wanted Is What I Know I Can Never Have.' Nice title!

You study screenwriting at UCLA and end up writing six feature films. None of them get made, so you kind of give up and go back to painting. But you continue to make short films and write journals and poems and comics, of course. You've always loved comics!

You do stand up for a while. Solo and as a duo. You tour briefly. It's a tough road. Not for you. You also have your own comedy radio show. That is good. You always wanted that! You create some great characters and really enjoy writing and performing. You even win an award for you comedy writing! And cash!

You move to Byron Bay for seven years. Then get invited to perform your original comedic monologue in New York! Cool, huh?! They pay for you to go over, so you pack up and go. NYC isn't your style so you move to LA. It's good there, but, once again, you are an outsider and despite some elements that you really enjoy, you decide to return to Australia. 

You love your country more than ever and eventually end up back up north. This time in Mullumbimby. There are cows and chickens in the backyard. The sky is big. The sea is close by. You visit every day - you've always loved, indeed, needed the ocean. The air is clean and fresh. Country living, the simple life suits you.

You don't have much. An old car, an old computer, a small room you rent and a storage shed full of painting from the 25 plus art exhibitions you've held over the last 30 years.

When I say you don't have much, I mean, of course, material things. You have plenty. Health, freedom, imagination. Your future is open to possibility... 

It's hard being an artist. Especially one that isn't motivated to self promote. Still, every day you create new works - two, three, four, five.... You love seeing what comes out. It reminds you of the comic covers you so used to enjoy as a kid. You've got plans to publish a book of your own recent comics - you've done over 200 of them over the last year. That will be good, huh? 

Anyway, gotta go now, kid. Just thought I'd say hello and tell you some things. Of course you won't get this back then. 

But you've got it now. Take it easy.