You ever listen to a crazy guy
On the street corner
For a while longer than you normally would
Because maybe he has something worthwhile
Maybe there is a gem in there
A diamond amongst the rubble
A tiny missing piece of the jigsaw
The one that's been giving you trouble

You are hyper aware
With super sentientience to spare
Attune, you can zoom in
To what is going on around you
Even though you zone out a lot of the time
Because essentially convention bores you

You used to like to sit still like a Buddha
In busy urban places
Bustling with people 
Gaze at the passing faces
As they traversed in multidirections 
Feeling awash by humanities magificence
Was one of your favoured predilections
It gave you a charge
Made you feel trippy 
You did it in Tokyo
You did it in New York and LA
You did it in Kings Cross, Sydney
And sometimes still now in Mullumbimby
But you wouldn't call that busy

You used to be thrilled and delighted
More often
Appetites extreme, immense
Unlimited confidence
Adventures bold
Romances intense
At times, it should be mentioned
You were stifled by depression, 
Melancholia, anxiety
Yeah, you got attacks
But you sought assistance 
And it helped
That, and yoga, and swimming laps
Rebalanced you
Got you back on track

One thing you know for certain
For damn sure
Is that you experience life
Deeply, acutely
The good bits - that you love
And the bad bits, the nasty bits
Those hellish, horrible ruthless hits
You've faced them front on 
And survived
To fight another day in another way
Within this realm from which there is but one escape

Flicks of faith in a sceptic's flavour
Abandoned ideals
No longer wastefully waiting for your saviour
In this gritty realisation
This overwhelming drama dream
Certainly infinitely more complex than it initially seemed

More dire and demanding than ever expected
Don't always get what you've projected
New age optimism has felt the pinch
That new world outlook has a fallow tinge
But like that crazy guy said:
Everything would be sweet as shit
If I could just get out of my head

No clear idea what is coming next
Some days you wanna just stay in bed
But glad you did not today
Cause you wouldn't have met that parameter buster
And gained new insight, a brush with luster 
You wouldn't have been inspired to transcribe this verse
You wouldn't have progressed with the prescribed course
In coming to terms with what is, what is
And that - it seems - is what this is
A noble attempt to expound what is that is what it is
What it is, what is

Someone asked me the other day why I like putting skulls in my art.

I like skulls because they are powerful icons. They represent many poignant things. Life, death, mortality, fear, even freedom.

By making them colourful, ornate, lively, it softens their confrontational power and makes them accessible and almost friendly. After all, every skull used to be someone kicking around on the planet with organs and vessels in a skin sack attached.

They evoke contemplation about the past and the future. In a sense about the whole enterprise of existence. How fragile it is, how temporary, how paradoxical. No one knows what is next - it's life's greatest mystery - but a skull is a reminder - it's coming!

Making them into colourful art is like trying to bring some life back to the dead. Not possible, but fun to try.

You can see some of my recent skull work on this site - click on skull guru. Git some skull into ya!

I get into my room and close the door and the world is mine. I am away. I am detached. Flying free.

It's not a very big room, or glamourous. Say three metres square - enough room for my bed, my desk, two bookshelves and a small space to stand up in in the middle. The floor is wooden and I've placed a fuzzy black bathmat beside the bed for when I step out of bed. Bit of luxury for the feet, you know.

The walls are covered with my paintings of various sizes and using removable hooks I've hung a few dozen nicknacks. A little Mexican skeleton, a smiling heart, a poker medallion, Indian dream catcher. The ceiling is high; which I like and appreciate. I've covered the window pane - comprised of three single, metre long, opening-out windows (always open) - with a mesh I found in a cupboard to keep out creepy crawlies. There are, however, spider webs in every upper corner. I don't mind them. Sometimes I see a spider and once I saw a tiny mouse.

When I come in here, I almost always close the door. It's my retreat. I eat my breakfast (sliced fruit in bowl - watermelon, papaya, kiwi, banana, passionfruit), in here every morning. When I say morning, I mean my morning; it's actually closer to lunch time more often than not. On the rare night that I am not out at a poker tournament, I will eat my dinner in here (salad or scrambled eggs), too. 

After I have done all my net surfing, research, writing and creative stuff of an evening, say around midnight or one, I will drag the small folding desk away from the wall and closer to my bed. There I have set up some pillows and cushions in the corner against the wall. Instant lounge room. I plug in my TDK cordless headphone jack into the back of the Mac and click open the orange cone logo for the VLC player. From my hard drive I select an episode of my latest favourite series. Could be anything ranging from a Canadian cooking contest (Chopped Canada) to the latest UFC bouts to comedy like Portlandia or Parks & Recreation. If I want a snack, I'll have those rice disks that everyone loves with some hummus. I've been meaning to make my own, but I usually buy it. Sometimes, I'll add a dollop of sweet chilli sauce to customise it. If I am still watching something around two am, I'll make a coffee with one of those Robert Timms coffee bags. It doesn't stop me from sleeping when I am ready. 

I share the house with two others; a girl and a guy, both around my age. We are all peaceful, quiet, creative. Karen designs and makes unique, luxurious garments and Mikey is a substitute highschool teacher and a high ranking chess player. There's a herb and vege garden outside and a roving chicken. There's a caravan up the back and Scotty visits a few times a year. He makes a living on the stock market. We are all single and OK with it. You get to a certain age and realise that being in a relationship is not the redemption, the reward, the necessity that you used to believe. I feel lucky to be in a household with two other decent and compassionate, respectful people.

But I still close my door. I like being alone. Withdrawing. Letting time float by. I like the night. I like silence. I like the feeling of being mildly stoned that comes from just being really mellow and peaceful, solitary. Sometimes I just lie on my bed and think about things. Sometimes I drift into slumber and dream magnificently. Days and nights can blur and blend, weeks can go by without a ripple. I don't mind. I know the path leads nowhere/never ends. I am in no hurry. My needs and desires are minimal these days. It's easier. Nothing to prove, nothing to lose. I appreciate nature, children, humour from any source... I appreciate still being around to see and experience whatever happens. I delight in my own limitations and insignificance. 

In my lifelong struggle for liberation, I have found it in a little box. Alone at my desk or prone on my old bed. Soulful, serene and satiated by simplicity.

I was walking along the beach this afternoon, thinking. Thinking, as I always do. I try to trudge out any noisy, annoying, negative thoughts within the first kilometre or less, so that I can get to some useful cogitation, some thoughts of substance; elevated mindfulness. 

The early part of the walk, the downer thoughts usually have to do with the sadness I carry around. Sadness that comes from childhood. Sadness to do with the lack of love and support I received as a kid, the inner struggle that was ever present, the loneliness, the insecurity, the tears.

I try to see beyond, to make amends, to forgive, forget. But I can't. Sometimes I feel like I am damaged goods. That I am doing the best with what I have got, but that I could have been so much more. Other times, I just, shrug and say fuckit, carry on. Expect less. Accept. Surrender. 

Waa, waa, waa. Isn't everyone just the same, though. Aren't we all fallen angels, broken machines, injured souls. I think so. So it's really about coping. And carrying on.

Anyway, I was walking along today and on my way back, I mentally compared life to the beach stroll. At a certain point, you turn back. On the way back you are covering the same ground, but you see things differently. Just like when you hit your forties or fifties, you have lived a fair chunk of life and you can actually use it to look back on and consider who you are and what you have done. When you are in your teens, twenties, you just go for it. You have no perspective. 

Obviously, things slow down as you get older. Some things you have done hundreds, thousands of times. You are well versed in the everyday requirements and expectations of being a human. (Hopefully.) Your needs and urges wane. Your ego has taken countless beatings and can now shut the fuck up sometimes, take a back seat, maybe even disappear. 

You've most likely been through at least a few wonderful relationships that end, either badly, terribly or not very well. You've seen the ugly side of yourself and others. You have tried and failed. Tried again and failed again. You sometimes get lucky and somethings work out alright. 

Mostly, though, you realise that life is not all fun and games. It's a challenge. And it keeps on being one. The parameters shift but the rules stay the same. As hard as it all is, you wish it didn't have to go by so quickly. There are many, many things you would do differently, given the chance. But you don't get second chances. Not really.

Strangely, there is a certain calm, acceptance that comes with age. You probably believe more in destiny. You know what you can do and can't do. You know how to make do with less. You know how to enjoy more from little. Nature appears more vividly and has a bigger place. Children offer delight, hope, warmth and a reason for still caring, still fighting. The miracle of existence, as a whole package, can be appreciated more often and readily. You know you are going to die. You've seen it happen to people around you. You may or may not think about it much, but you definitely know it's coming, getting closer. This can be a comforting thing or a frightening one. Depends on the individual, on the day, the circumstance.

Sometimes, not today, but every few weeks, I look out onto the horizon, while on my walk, and think, every picture I have ever done, even if it was expanded to 1,000 times it's size, would only fill the tiniest fraction of a single percent of this vista. Every day, every hour, the glorious outlook; the sky, the ocean, the beach changes and delights. A dynamic, breathtaking, living work of art. What I do, making little pictures, well, comparatively, it's just laughable. Of so little consequence. Why do I bother? It will never amount to anything. It is of absolutely no significance. In fact, my life, is of no significance. Not in the long run. Not really. Not when you realise and understand that it's all just a self created illusion. Not one of us is more that a grain of sand. So why bother? 

See what I deal with on my daily walk? These are the kinds of things that go through my head. And looking at me, from the outside, if you chanced to see me walk past - you'd just see a dude taking a stroll. You wouldn't look twice. But in the silence, behind those squinting eyes - a battle rages. The struggle of self. The coming to terms with the quagmire of existence. The never ending questioning. Like the waves crashing on the shore. Relentless. And yet, soothing. Somehow. Kinda soothing. Comfortable. 

One step at a time. Down the beach and back up it. A dip in the ocean. A frolic in the waves. The sun shines on skin. The seagulls jeer. The spirit is uplifted after a commune with nature's essence. The petty concerns washed away with the tide for another day. 

I'll be back tomorrow to do it all again.

When you take snapshots of yourself and select your favourite - what are you looking for? Are you trying to see/portray yourself for who you are or are you trying to capture/present a version of yourself that most fits your ideal self image?

Makes sense to do the latter, of course. But a selfie is just the cover. What really is important is what's inside the book. And what is equally important is that - this may come as a surprise - that YOU READ THE BOOK.

The book of self. New pages everyday. Some bits you write, others are written for you. All you have to do is record them. Some bits get erased. Some segments are abbreviated. Some are drawn out. 

What is your story, though? 

These days there are lots of book covers being flashed around but there is less and less content being revealed. Why is that? 

There's always so much going on that things like long, intimate conversations with lucid friends, meaningful connections, investments of time and energy in those in need, etc - have become less prevalent. 

Character. Personal morality. Philosophy. Discourse. Ethics.

In this money focused, ambition driven society there is less and less time for these things. Perhaps because the world has become so thick with information (and disinformation), in addition to entertainment and various forms of distraction (facebook, twitter, insta for starters), it is so easy to just drift along on a raft and never have to paddle or pull over to the shore and stake a claim or make a home. We are overwhelmed by complex systems, wheels within wheels; social, political and physical.

The world now takes it's own selfie, every day, every minute, every second. And we are not sure what to think. It is always changing! It's alluring, dangerous, stimulating, confronting, familiar and foreign all at once. Are we part of it? Have things gone beyond the point where one person, any given single entity - with their views, opinions, feelings, thoughts, outlooks - really matters? Is it all too much? Is the river now a tidal wave, a tsunami? Are we all just hanging on and hoping to land somewhere safe?

We take selfies to benignly assert our presence in the modern day. Look! This is me! Having fun, acting cool, being silly, sexy, wild! I exist. I am living the life. Whatever that is, at the moment. Don't ask. Questions make for discomfort. Questions stir things up. Especially questions we avoid asking ourselves. Those ones. The ones we are not sure we are even equipped to answer. Why bother? It's easier to just float along from day to day. Things will work out. 

Thing is - who are you?

Don't you want to get to know yourself? Look at yourself? See what you are made of? Get to know your true essence? 

If you do, you can, and you won't regret it. To find, you must seek. And the answers will only come once the questions are asked. And no one is going to do that for you. Not once you are an adult, anyway. It's your responsibility. In some ways, it's your primary one. To get to know yourself. Beyond what is on the cover. Beyond the presentation. Open the book up. Look inside. There is a world as grand and magical as you can imagine. There are things there that might make you uncomfortable, even fearful. But the truth is there is nothing to be afraid of. It's all you. 

And you, my friend, you're a flawed and complex, sentient being. Just like us all. Do not judge or condemn. Accept and embrace. Discover. Uncover. Allow. Once you can do it for yourself, you'll be able to do it for others. 

What does this mean in real terms - beyond the new age slogans? I don't know. It's different for us all. What I am saying - to myself, really - is that there is a need for more substance, more fibre, grit, integrity. What good is it to simply exist, without allowing your character to grow, to be revealed, to be celebrated in essence? Why not at least try to sort through your shit and dust off your dreams, pick up the book you have neglected and start to make up some stuff that you will proud of one day. Make a story, live a story, that you want to read. It doesn't matter what the fucking cover looks like, it's what's inside that matters. We want laughter and tears and meaningful, wonderful events to occur. Substance. You hear me? 

As an artist
Uncertainty is certain
Just being is a burden
You wanna break free
Show the world how to see
How much better it could be

As an artist
Vision is pure
You search for your style
The obvious is obscured
By the crap you were taught as a child

As an artist
You yearn and you hunger
You are full of hubris and anger
It doesn't come easy, not ever
To enrapture you endeavour

As an artist
You strive for you own kind
Of perfection
It may look messy, insane
But they are your rules, your game
And nobody can tell you what to do
What's true
What's meaningful
Or necessary
Is that a cricket ball or a cherry?

Some days you hate everything
Nearly as much as yourself
Other days almost heaven
Somehow
It's going to work out
You tell yourself

As an artist
No lies
Except whenever
No limitations
On the number of limitations
Courtesy of society or self imposed 
You lack propriety
You jump on toes
Just to hear the crunch
A shot or a joint before lunch
Some days 

As an artist
You yearn to escape
You need to unwind 
The fucking jumble of gibberish
Awash in your mind
You wouldn't mind
If it wasn't so awful
You wonder what it would be like
To be normal 
Sometimes 
But not for long
You don't need to belong 
You don't want to belong
Now do you

As an artist
Your pain
Is everyone else's gain
Especially after you're gone
You'll be celebrated, idolised
Or forgotten
Who cares
You care
Stay strong

As an artist
You have no choice
But to do what you do
To follow that path to the end
And trust your intuition
That you vision will see you through

Today, at least
Your pain has been released
Onto the canvas
Down for the count
Breathless and speckled
Staring, mouth agape
At the new creation on the easel
A fresh image to appease you

It's easy
As an artist
To tell yourself anything
To sell yourself short
To yell on the inside
To inseminate and abort
In blindingly quick succession

And details too decadent to mention

But at least you have one thing
Of which you can be certain
 . . . . . . . . . . . . . . . . . . . . . . 
. . . . . . . . . . . . . . . . . . . . . . 

As an artist

I don't have to tell you what that is
Now do I

As a sentient being there is no escape from feeling and experiencing life. We like to believe that there is a reason behind it all, a justification, a validation for our demanding and formidable journeys. But what if there is not? What if this realm is truly just a harsh and difficult existence? One that, for reasons beyond comprehension, has to be experienced? Nothing gained can be taken with you. Any relief from the never ending demands are just temporary and fleeting. In fact, they may only add to the magnitude of suffering that is to come. 

Buddhist teaching says that life is suffering and I have to agree. It just seems almost too hard sometimes. I don't see what the purpose of this enforced series of procedures is. Endure, endure, endure, then die. OK. What was that for exactly? Some lives have extended times of loving and beauty and freedom and joy, but from what I have witnessed; most do not. There are times of comparative relief and short periods within a day or a month or a year or a life that are not stressful and demanding but mostly, it's just hard going.

I have engineered my life to have as few demands and stresses as possible. I try to have plenty of free time to pursue art and writing and thinking and just being. I have time for exercise and connecting with nature and relating with good people and play. And yet still, there is a heaviness, a constant, sublime feeling of uneasiness. Sometimes it's simply because life itself is so much to comprehend. We are mere mortals. Puny. We are specks. Star dust. Flippity-floppety little human entities. What are we doing? What are we really here for? It seems as though there has been a mistake made along the way in evolution, we've taken a wrong turn. If this is of our own spiritual creation, our own devising.... why would it be like THIS??? 

I find it hard to abide. Really. Sometimes more than others. And, of course, I acknowledge the incredible beauty that surrounds us, the dignity of fellow beings, the miracle of life, the gorgeous glory of newborns and children, etc. But I still feel that there is a quantifiable imbalance. Life is not what I imagined it would be. I thought that the struggle during teen years, through the twenties.... and on... would lead to some kind of resolution, a settling. Some kind of peace, mental and spiritual. But I have found no evidence of this. Am I missing something? I live in a great country, in a wonderful, peaceful, friendly small town, I have a supportive family and great friends across the globe. I have my health, physical and mental. And yet...

I'm raving, I know. But that is what this forum is for. An occasional ablution is necessary. Even this writing, though, what is it? Little symbols that form words and concepts. You can read them and get something. You can hear my soul. Is it singing or is it screaming? Am I a madman shouting or an ordinary man who is questioning that nature of reality, one who is not content to turn away, one who is compelled, often despite his own wishes, to face the immense, throbbing, pulsating, infinite series of vibrations and molecular clashes that form a never ending cacaphony of thoughts, images, sounds, sensations and experiences? 

I am screaming. Silently. Am I calling for help? No. Not really. Am I looking for acknowledgement? No, not really, that either. Then... ? 

I am trying to express the complex nature of my relationship with life. It is compelling. It is complex. It is relentless. I have travelled through it for 53 years so far. No bad. It's been quite a journey and there have been plenty of times and experiences that I cherish and am thrilled to have had. Plenty. I am not complaining. I am not bitter or angry or resentful by any means. In fact, I am grateful. But the fact remains, that between when I get up each morning to when I go to sleep each night, there is a series of thousands, tens of thousands maybe, of feelings, FEELINGS that pass through me, some lingering, some flashing, many of little consequence, a few profound.... FEELINGS.... that make up my day. By the end I am tired. As I go through it, I am challenged. I cannot name these phantoms, I cannot categorise everything - although I often try to in an attempt to come to terms with it all. 

I have to believe that surrender, surrender is what should be done. Let it go. Let it be. And I do that. I really do. Still, still, still...! Can you hear me? I am a sentient being hurled into a life form that has become comfortable and familiar, not only second nature, but first nature. I acknowledge that I am a person. Humble, vulnerable, fragile. But with powers to take it on, whatever. With a will to live and endure till the end. A will to survive, to thrive. I am weary, I am wounded. I admit that this brand of reality is not what I would have chosen. I'd like something more like heaven, all the cliched juice with a bit of sauciness and some thrills. I'd like more of the good stuff and less of the pain. I'd like better endings, more satisfying middles and unlimited new beginnings. I would like, you know, utopia. Bring it on. Seriously. Like now, already!

So, if it lays up ahead for us all, waiting to surprise us, reward us for our hard work, our labour, if it is our destination. Well, then, OK, I will continue to endure this weird blend of exquisite suffering until then. But seriously, it better be there up ahead.... or I'm going to be one disappointed corpse!

One of the joys of keeping an artist's journal like this is that there are no plans or pressures. I just start writing, whenever, whatever and let the flow take me where it will. It is oft times as revealing to me as it would be to anyone else. Of course, I have a more intimate knowledge of myself than anyone else, and yet, due to the complex nature of consciousness, psyche and psychology, revelations can and do still appear out of nowhere.

By now, although an amount of ego still remains (mostly dormant, reading a book in the shade), I act predominantly from other areas of self. These writings for example, although about self are not recorded in an attempt to elevate my self opinion or baste my ego. They are done as means of introspection and revelation. I use my self as a case study of sorts in an attempt to dissect and understand the nature of being human. I happen to be this person, so I observe him and make reports. I am glad to be him, er, me, because, if nothing else, as a specimen, I am unique and can be amusing at times. I mean; he is.

The other morning when I awoke, I got up and went online. I noticed how quiet it is, to sit at your computer and sample the internet. I realised that this is one of the things that I like about using my computer. It is quiet. Almost silent. Peaceful. 

A list of some other things in life I really appreciate:

solitude
serenity
as few demands or expectations as possible
freedom
self devised schedule
few time constraints
staying up late
sleeping in
commune with nature
library visit
reading time
thinking time
creative time

I have directed/constructed my days so that there is an ample amount of these things in each day.

My phone rings maybe once a week. This suits me fine. Even less would be better. I used my phone - a large screen Samsung Note 1, with a stylus to create artworks in a program called SMemo. An average of three hours per day which yields four or five new works. I create these works mostly in a cafe or at the library. Sometimes sitting in my car.

My car is from the 90's. It's small, rusty, rattly and lots of things don't work. But it gets me there. A nice car is something I would really like and I do spend a fair amount of time imagining the joy and luxury of owning a Range Rover Evoque, a Lexus or a new model Merc. These are fantasies akin to those that a hungry man on a desert island would have of unlimited access to a bountiful and succulent buffet. They get me through the rocky ride home. And still, I am grateful to have a vehicle that takes me to destinations of my choice.

I live from week to week. My income is at the poverty level. I have enough to rent the smallest room in a share house of four, buy fruit and veges for the week and put petrol in my car most of the time. A few times a week I will have a meal out, the average budget is $11. My favourites are the Sunday curry, which I eat sitting in my car by the river at sunset, the bean nachos from the tiny, rowdy small town pub which I eat while reading my book, surrounded by unruly, loud and friendly old school ockers and the mid week small pesto and pumpkin pizza at the RSL club, which I supplement with a generous amount of apple sauce from the condiments table. These simple treats give great satisfaction.

Although I would, of course, like to have more money to do things like travel, buy big canvases and lots of paints and update my technology (and the car), I am not willing to trade in all my freedom and time for it. I have lived for decades now with very little and have come to appreciate the glorious things that are free. Like the beach, friendships and family, exercise, creating, writing and reading. A characteristic of my personality is that I require a pervading low pressure zone.

In some ways I am a social outsider, living on the fringes, but truth is, it's better here. Society, mainstream society at least, although filled with mostly good hearted and well intentioned people, has some priorities, expectations and demands that are excessive, misdirected, unjust and antiquated. I don't feel like I fit in, so I stay out. Luckily, I am an artist, so I can do this. Compared to a more conventional modern existence, it may appear lacking, but it isn't. Like many fine characters I know, I can't do normal. And, hey, that's OK.

Yesterday morning when I got up, I went to the bathroom to evacuate my distensible membranous sac and as I stood there looking out the window at the late morning light hitting the trees and leaves, I was profoundly aware of the omniscience of life and the exquisite grandeur of this planet. Simultaneously I felt suddenly aware of my own relative tiny-ness and insignificance. 

Certainly, within my own mind, and body, within my personal reality-construct, I am key, larger than life, the central player. As we all are in our own consciousness. But in that moment I realised with quite a powerful peeling back of the layers, that one humble human life is such a minute part of the gargantuan and infinite mechanisms of the world and the universe. And not just as a concept - I actually felt it vibrationally.

I greeted my revelation with a mix of fear, surrender, wonder and awe. It was truly the first time so far that I have completely without any pondering or meditation, focus of thought, experienced such a wave of pure obvious truth. 

I have had out of body experiences since I was nine years old. The first one came about while sitting in the back seat of an old Beetle VW on the way to hospital after I had been bitten by a deadly funnel web spider. I remember looking out and up at the tops of the trees and the sky and thinking, well, this could be the end of the line, I may be skyward bound myself in a few hours. 

A few years later, in a Tokyo hospital, I was given a near overdose of pain killers and tripped out so heavily that I remember hanging on by the thinest of threads, slipping in and out of consciousness. I realised then, that life itself is tenuous at best, unpredictable and well beyond our mortal control. 

At 17 with a good mate and some fresh hashish, during a deep and meaningful, relaxed dialogue I felt a wave of deepening connections to the omnipotent forces and a depth of understanding beyond my tender years. I cried and cried, at the beauty of it all. Sobs of joy - and then the munchies.

In my twenties, I experienced some magnificent, delightful and astounding revelations on my first ever LSD trip. Subsequent ones never equalled the first, so I curtailed my intake.

In my twenties and early thirties, I sometimes felt my awareness/consciousness was like a wild, wild horse. I did my best to remain on it's back, but a few times, I felt fearful. Never one to shy away from looking over the edge, occasional violent gusts of wind, would make my mouth dry and my head spin. Close calls were rare, but disconcerting. 

Around 33, things spiralled beyond my control and I began to experience fully fledged anxiety attacks. I endeavoured to ride them out, work my way through this stormy period, but my doctor at the time said she would refuse to see me if I didn't get immediate professional treatment. She was convinced it was necessary, so I acquiesced and enrolled in a weekly group therapy to curb the escalation of panic attacks. It was most entertaining and eye opening, and more importantly, it equipped me with the techniques to stop the escalation. I have not had one since. (If anyone reading this has them, I strongly recommend these anxiety management classes.)

In my forties, I moved to Byron Bay and lived in a Buddhist temple. I was a temporary guest of the head monk, initially, but was invited to stay on, even though I elected not to astutely follow the path to ordainment, due to an aversion - from an early age -  to imposed structure, expectation and assesment. Instead, through a impromptu, self-evolved hybrid technique of meditation, solitude, quietness and self investigation, I lived in harmonious tandem with the monks with a strong mutual respect for three years.

The through line here reveals a predilection for exploration of the mind and consciousness; the spiritual journey. It is something that comes in waves, spirals, peaks and troughs.

So, when I felt that stuff, yesterday morning, it was with a mixture of surprise, near overwhelmingness, amazement and, eventually acceptance. You are exposed to what you need when you are ready for it. Also, I realise, now that I am in my early fifties, I am well past the half way point of my journey. I am heading towards a period where one can ruminate over life experiences lived - celebrated and endured - and use the colourful maker pegs of the highs and lows to assist in the speculation of what is to come - or more aptly - what 'is'.

I feel lucky to be an artist, somewhat of an outsider in society, because it avails me time and freedom to pursue nefarious things and ponder questions regarding the true nature of existence. We are an evolving species, now faster than ever, so to be able to step away, step back, view from a distance, the immense madness and divine chaos in it's infinite variations is a blessing and an honour. 

That sounds a bit like the ending of a speech. But to who? And what for? Everyone is much too busy with their own whirling, constantly demanding realities. And, each is so important in it's own way. Otherwise, it would not be. So, acceptance.

I realise my own need not to get to spaced out or esoteric. I do things to keep it simple and true. Eating, walks on the beach, swims, laughing with friends. It's such an incredible ride - sometimes you just have to hold on and hope for the best. Other times, you can sit back and watch in wonder. Wherever you are, whoever you may be, I, as a fellow human am communicating with you my own truth, as best I can, in an effort to connect and commune. I am telling the tales of my adventures. Whilst many of them are in my head, they are no less real, and no less worthy of sharing. 

I am encouraging you to have no fear. And to get to know yourself, to find and forge your unique place in the world, then to share your truth in whatever way suits you best. 

Hey kid,

You're a very sensitive fellow. But you are also very thoughtful, observant and wise. Your instincts are good - continue to follow them and believe in your own, unique, world view. 

You have to put up with a lot of crap from figures of authority. They are often wrong, as you suspected, and are really just stupid bullies. You fight them and lose because they hold all the power. But I admire your sense of righteousness and low tolerance for injustice. Don't let those fuckers break you! (They won't.)

Although you have a naturally positive and adventurous, hopeful outlook, you are often deeply saddened by your circumstances. You feel misunderstood and misaligned. You don't really fit in with conventional ways. This will not change. 

Your curiosity, love of reading, love of exploration and FUN are a centre point to your being. Your instinct is to do what makes you happy. This is a good thing. Stick with it. 

You love people - good people, open minded people, playful people, big hearted people. You are a champion for the under dog. Heck, you are the under dog!

Much of what you learn is though interacting with others - outside of the school system. You instinctively seek and find slightly older mentors who offer you new insight, support and reassurance. This is a good thing and will continue into your thirties. 

You love of romance and woman will continue to grow. Aren't they amazing creatures. As best as you can, treat them with respect and kindness. They thrive on attention and emotional connection. A few will try and get the better of you, but don't worry, they will soon fall away. 

You will be lucky enough to have some wonderful, exciting relationships with some truly beautiful women as you get older. Don't worry too much if it doesn't always turn out right for now. There's plenty to look forward to.

I remember you sitting on the steps, alone, outside the dance or the club, on occasion and feeling alone, sad. Wishing you could find someone to have a heart connection with. Don't worry, kid. They will come. 

You will marry, too. It won't last but you didn't want it to. She wasn't the right one and you knew this before you proposed. But, ironically, getting married was the only way out. She was a tough one to shake. She had emotional power over you. It wasn't until you become husband and wife and she cheated on you that you could sever the ties and walk away with clear conscience and freshly empowered. 

Your thirties are when you will really have some hugely rewarding love affairs and relationships. Some that last years, others months and a few for only weeks. But, kid, believe me, you will not be disappointed. 

Later in life, in your fifties, you'll remain un-remarried. After a promising relationship in your late forties that turns sour, you decide that being single is actually your preference. You love your freedom and independence. 

From early on, you choose to be a free spirit. You do not like to be pinned down, committed, or stuck. You like to sleep when you want, wake when you want and do as you choose with your time. This makes holding a job quite difficult. And after trying a few in your late twenties you decide it's not for you. 

After all, you are an artist. An artist and a writer. Did I mention that? Yes, it's true. Your love of books and art and movies never wanes and you begin to express your own truth. You go to art school. You study film making. You write and publish your own poetry and stories and comics. You even publish a book when you are forty. It's called 'All I've Ever Wanted Is What I Know I Can Never Have.' Nice title!

You study screenwriting at UCLA and end up writing six feature films. None of them get made, so you kind of give up and go back to painting. But you continue to make short films and write journals and poems and comics, of course. You've always loved comics!

You do stand up for a while. Solo and as a duo. You tour briefly. It's a tough road. Not for you. You also have your own comedy radio show. That is good. You always wanted that! You create some great characters and really enjoy writing and performing. You even win an award for you comedy writing! And cash!

You move to Byron Bay for seven years. Then get invited to perform your original comedic monologue in New York! Cool, huh?! They pay for you to go over, so you pack up and go. NYC isn't your style so you move to LA. It's good there, but, once again, you are an outsider and despite some elements that you really enjoy, you decide to return to Australia. 

You love your country more than ever and eventually end up back up north. This time in Mullumbimby. There are cows and chickens in the backyard. The sky is big. The sea is close by. You visit every day - you've always loved, indeed, needed the ocean. The air is clean and fresh. Country living, the simple life suits you.

You don't have much. An old car, an old computer, a small room you rent and a storage shed full of painting from the 25 plus art exhibitions you've held over the last 30 years.

When I say you don't have much, I mean, of course, material things. You have plenty. Health, freedom, imagination. Your future is open to possibility... 

It's hard being an artist. Especially one that isn't motivated to self promote. Still, every day you create new works - two, three, four, five.... You love seeing what comes out. It reminds you of the comic covers you so used to enjoy as a kid. You've got plans to publish a book of your own recent comics - you've done over 200 of them over the last year. That will be good, huh? 

Anyway, gotta go now, kid. Just thought I'd say hello and tell you some things. Of course you won't get this back then. 

But you've got it now. Take it easy.

This is me.
Holding onto something. 
I don't know what it is but I like it.
Feels like I should hang onto it.
I've lost or left behind most of what I used to have.
Now, I've got this thing, gonna hang on, hold it up.

There's colours around.
And a place for me to sleep.
I'm sitting down not cause I'm tired but cause I'm saving my energy for something worthwhile.
I don't go clambering up trees for no reason any more.

I'm looking out, looking around, seeking things of interest.
It takes more to rouse me these days.
It takes more to attract my attention.
I've seen plenty of things in the jungle.
It might be considered I'm lucky to still be alive.
It might be said I grew to love the jungle.
It might be said I made some mischief of my own.

I don't care much about what others say anymore.
I don't have time to waste on things that aren't true.
I don't mind a good story, though.
Or shooting the shit with a good hearted, dumb baboon.
And little chimps, well, I've always got time for them.

Much of the bountiful zest has diminished.
The wild cries, raucous laughs have faded.
Scrapping, flying between trees, rampant fornicating...
Now things I miss. 
Once in a while I'll do one of them, maybe two...
But the days of all three, over and over...
Are over.

Doesn't worry me. Natural progression.
I survived great falls, being prey to tigers, my own foolish youth.
I crossed expansive chasms, explored deep, dark caverns, played with fire and lightening and once rode the back of a stampeding zebra.
So, sitting back now, I've got plenty to think about, to remember.
Even though, there's lots I've forgotten, too.
By choice, by necessity, over time.

Lucky, I guess, I am.
Certainly not ungrateful. 
Doesn't really matter.
I'm just sitting here now.
Not going anywhere soon.

And liking it that way.

I went for a walk in the late afternoon of New Year's eve with my brother, Mook, through the streets of Mullumbimby. As we passed this old wooden double door garage (pictured below) we were both spontaneously and instantly captivated by it's grace and beauty. We each took a couple of shots. The photos don't do it justice. 

Anyway, we moved on, kept walking and talking. Had a meal at the local Thai at the Bowlo, then went and sat outside the Civic Centre opposite the RSL club for a few hours. A few people sauntered by on their way somewhere, but generally it was quiet and empty. We enjoyed just hanging out, no hype or expectations, no drinking or revelry, no noise or fireworks; just hanging on the side of the road in a nearly deserted small town. At 11:50, we hugged and said farewell. Till next year. Love you, brother.

A few days later, on my way to Woolies, I walked past the same spot and the garage was completely demolished, absent. I took a picture again and used it in my artwork above. 

It's about moving on, new beginnings, things growing out of the legacy of that which has gone in reality but remains in spirit. We all go eventually, but the world ruthlessly and wildly replaces us with a new, vibrant lifeforce. And so it goes, on and on. 

Appreciate the old double doors while they still exist and equally embrace the sprouting fresh wonders as they appear. That's my job for the year. And yours, too. If you want it. Doesn't pay much but it's worth a lot.