Category: Feelings - Lewie JPD

slave and master, both

18/11/2015

I was just doing ordinary things yesterday when around 5:30 in the afternoon, as I was walking up a regular street, I got a burst of a feeling of how extraordinary ordinary life is.

These feelings are most poignant when they come out of nowhere, hit you by surprise. It's a bit like you are coming awake in a dream and realising it's not a dream but real.

Nothing happened, per say, I just suddenly realised how miraculous it is to be present on this planet and participating amongst my fellow humans, many of whom were walking by me, each with their own dispositions and outlooks (often readable from their faces, their walks), in this amazingly complex and impossible to truly comprehend matrix we call reality.

Everyone was going somewhere. We're a busy species. Everyone, from what I could read on their faces (assume), was thinking about things in their life. I could suddenly see and feel all the mix of emotions and thoughts streaming around me. Life - the whole thing - is so immense that we tiny little humans with our personal stories and agendas are essentially insignificant. Our stress and worries certainly are. And yet, at times, they consume us. We get caught up. Everything we think is important we truly believe to be important. But it's not. It's all transient. Life is actually just a cosmic ride.

It would help us all to shift our perspectives. Easier suggested than adopted, of course. But, really, really, we are shackled. We are victims of our own minds.

How to self liberate? Step one: know it is possible - and desirable. Two: try. Take yourself out of yourself and just observe. Remove attachment. Surrender. Be in the moment.

It all becomes a string of cliches - and this is a pity because the substance and power behind those words is key. It really is the way to begin to unleash your own truth and find a wider, more soulful understanding of what it is we are doing here.

I'm no guru. I'm down in the trenches with the rest of us. In it's own way it's comforting, familiar. But in another way, it is sad and wasteful - of our true potential. We are magnificent beings, much more than we realise. It is a dream we are living. And we can wake up into it.

When you get a moment, as in 'get' a moment - hold onto the feeling of what can be. Find the hunger for it, for expansion of consciousness, for a taste of enlightenment. It's what we are here for, as a collective, all in it together. We're each distracted by our solitary stories and only rarely break free to see the grand beauty of the big picture. But it is there, it is there. Right now. Right here. Reach, reach!

From Little Things

21/11/2014

I voluntarily missed out on my night time poker game, so you know it must be important. I was invited to the Steiner school to attend a night of short speeches by year six - one of whom is my beloved godson, Jarrah.

It was a special activity and they were adeptly coached and mentored by a drama teacher/parent who donated his time. Each kid, all around 12, spoke for 3 or 4 minutes. When they announced that there were going to 28 speeches in succession - it was a little bit like - OK, this is going to be a long haul. I was very happy to be there surrounded by the creative energy, the excitement, the proud parents and the precious children. I was expecting something shorter, perhaps, but, hey, let's see what comes...

In short, it was awesome. Each kid had chosen a topic close to their heart and had written the speech themselves. They had obviously all practiced well - some even spoke from memory. The topics were varied and interesting, topical: Global Warming, Learning From Mistakes, Caring for Animals, The Barrier Reef. One kid spoke on the Importance of Mothers. He got a standing ovation. About five of the boys talked about soccer. Jarrah's speech was about archery - his new passion. It began with the quote from Zen master Eugen Herrigel: "In the case of archery, the hitter and the hit are no longer two opposing objects, but one reality."

Mind focus. Merging.

At some point in the evening, it was cleear the speakers and the listeners became that one reality. At the end of the talks, they sang three songs. One of them was by Paul Kelly and Archie Roach: "From Little Things Big Things Grow", which happens to be one of my favourite songs. The audience sang along on the chorus. Seeing those young souls there, fully alive and in the moment, gushing with innocence and enthusiasm, I pictured how each of them will grow up to be compassionate and strong adults and was overwhelmed with the absolute beauty of humanity. Tears were rushing down my face. I have not felt so in place, connected and honoured to be a human for a long time. I was uplifted and transformed. New seeds of hope and wonder were planted that night. We'll see what grows.

abstract in the morning

27/9/2014

I love the smell of abstract in the morning.

Some days I wake up after exciting, lucid dreams and feel that I am able to see the world slightly differently.

Every day, I make new images and I have done for many years now. Today, I made five new images. The one above was my favourite. It wasn't quite working at first and almost felt like a discard but I kept with it and let it find itself.

When I was finished, I really loved it. I will often like what I create but only maybe really love one in a hundred images. This is one of those. Makes me feel good.

I want to state - for anyone who doesn't create images, who doesn't know the feeling of painting or drawing, conjuring up a fresh life force with line, colour, shape, composition - that it's a wonderful thing to do. It can bring immense pleasure. You focus, loose yourself, question things, answer things, experiment, take risks, assess and reassess... It's a mind's eye game. It's a connection with the source.

In the best moments, you become a conduit for pure universal energy. When you have practiced enough, you learn to get out of your own way and let the flow happen. It can be ecstatic and tantalising. Of course, along the way, and still, on some days, it can also be frustrating and hard work. But for me, generally, these day - I'm free rolling, having a grand old time. Art is my jazz. The picture above is my improvised solo from today's jam session.

Yep, it's been proved, once again, as the title say, 'Art gets me high'.

ignition

25/9/2014

Just a little spark is all I need
Like this morning
I was awake
More awake than some mornings

Just a little spark
I read a word
Just a single word
That lit a fuse

Ignited by passion
It's not a predictable thing
Passion lives in a world of it's own
With it's own rules
With no rules

I think of Raymond Carver
His words
Chosen
Select
The effect
Sublime

I think of the artist
Say Picasso
No, Van Gogh
Or Hockney, yeah, Hockney
The colours presented
A miracle to behold

I think of a lifetime
So much struggle
By the time we realise
It's not the game we thought it was
It's too late
Too late

So any spark
Be it in the morning, at night, at twilight
Forget the cocktails
Get up from the patio
We're gonna dance
We're gonna dance
Cause this may be the last chance we get

in box

30/8/2014

I get into my room and close the door and the world is mine. I am away. I am detached. Flying free.

It's not a very big room, or glamourous. Say three metres square - enough room for my bed, my desk, two bookshelves and a small space to stand up in in the middle. The floor is wooden and I've placed a fuzzy black bathmat beside the bed for when I step out of bed. Bit of luxury for the feet, you know.

The walls are covered with my paintings of various sizes and using removable hooks I've hung a few dozen nicknacks. A little Mexican skeleton, a smiling heart, a poker medallion, Indian dream catcher. The ceiling is high; which I like and appreciate. I've covered the window pane - comprised of three single, metre long, opening-out windows (always open) - with a mesh I found in a cupboard to keep out creepy crawlies. There are, however, spider webs in every upper corner. I don't mind them. Sometimes I see a spider and once I saw a tiny mouse.

When I come in here, I almost always close the door. It's my retreat. I eat my breakfast (sliced fruit in bowl - watermelon, papaya, kiwi, banana, passionfruit), in here every morning. When I say morning, I mean my morning; it's actually closer to lunch time more often than not. On the rare night that I am not out at a poker tournament, I will eat my dinner in here (salad or scrambled eggs), too.

After I have done all my net surfing, research, writing and creative stuff of an evening, say around midnight or one, I will drag the small folding desk away from the wall and closer to my bed. There I have set up some pillows and cushions in the corner against the wall. Instant lounge room. I plug in my TDK cordless headphone jack into the back of the Mac and click open the orange cone logo for the VLC player. From my hard drive I select an episode of my latest favourite series. Could be anything ranging from a Canadian cooking contest (Chopped Canada) to the latest UFC bouts to comedy like Portlandia or Parks & Recreation. If I want a snack, I'll have those rice disks that everyone loves with some hummus. I've been meaning to make my own, but I usually buy it. Sometimes, I'll add a dollop of sweet chilli sauce to customise it. If I am still watching something around two am, I'll make a coffee with one of those Robert Timms coffee bags. It doesn't stop me from sleeping when I am ready.

I share the house with two others; a girl and a guy, both around my age. We are all peaceful, quiet, creative. Karen designs and makes unique, luxurious garments and Mikey is a substitute highschool teacher and a high ranking chess player. There's a herb and vege garden outside and a roving chicken. There's a caravan up the back and Scotty visits a few times a year. He makes a living on the stock market. We are all single and OK with it. You get to a certain age and realise that being in a relationship is not the redemption, the reward, the necessity that you used to believe. I feel lucky to be in a household with two other decent and compassionate, respectful people.

But I still close my door. I like being alone. Withdrawing. Letting time float by. I like the night. I like silence. I like the feeling of being mildly stoned that comes from just being really mellow and peaceful, solitary. Sometimes I just lie on my bed and think about things. Sometimes I drift into slumber and dream magnificently. Days and nights can blur and blend, weeks can go by without a ripple. I don't mind. I know the path leads nowhere/never ends. I am in no hurry. My needs and desires are minimal these days. It's easier. Nothing to prove, nothing to lose. I appreciate nature, children, humour from any source... I appreciate still being around to see and experience whatever happens. I delight in my own limitations and insignificance.

In my lifelong struggle for liberation, I have found it in a little box. Alone at my desk or prone on my old bed. Soulful, serene and satiated by simplicity.

put up a parking lot

11/8/2014

My brother Mook sent me this picture of a parking lot in Tokyo yesterday. In it's place, up until recently, was Roppongi Square Building. RSB housed five or six nightclubs, a tiny cafe and a sprawling, ground floor game centre. I spent much of my youth in that building.

I was a regular at the cafe, afternoons, after school, I would ride my motorbike there and hang out with the cool twenty-something Japanese dudes drinking coffees and puffing away on Seven Stars. I was the only foreigner there, somehow I had been admitted into the congenial gang. Sometimes we would saunter into the game centre and play the latest low-tech, novel amusement machines - bingo pinball.

I had completely forgotten about playing these machines but suddenly I was reminded how much I loved playing them. They were quite difficult to master - many decisions and stratergies and also ball control with gentle tilting and jousting with the machine. I wish I could play it again. Right now. Getting the ball down to 23, 24 and 25 - sometimes crucial -was a major task and then navigating it into the exact number you needed to line up your bingo - well, when achieved was an ecstatic moment.

The game centre had plenty of electronic games, of course. This was mid to late 70's, so it was all about Space Invaders, Mission Control, Car Driving Games, Pac Man and the like. During the day, on weekends, my brothers, Mook and Rich, and I would go there, if we weren't in Shibuya - which offered more great games centres PLUS pachinko (upright Japanese ball bearing game) PLUS movie theatres with the latest releases.

At nights the Roppongi game centre was very popular with post dinner visitors and pre and post disco and nightclub revellers. I can smell and feel the boozy, smokey atmosphere right now. Even at their rowdiest, Japanese are quite contained and always polite. It was an awesome place to grow up on so many levels.

And many levels is what RSB had. My favourite discos - Nepenta and Giza were housed there. I would go there at least one night a week. I had a three piece suit and cowboy boots. It was the disco heyday in Japan, Saturday Night Fever created a frenzy and nightlife boomed. I had so many experiences there, across the threshold, that I plan to write a book about it one day soon. I saw things, did things, was immersed. I grew up there. From kid to seasoned night crawler. Roppongi nights. Like no other.

We lived in Nishi Azabu. Our modest home was positioned right in between Hiroo Station and Roppongi Station on the Hibiya Line. Before I got my motorbike and started riding to School, I used to walk down to Hiroo (pictured above) and catch the subway and two trains to school. In the bottom right hand corner of the picture, downstairs, B1, was a tiny black leather, atmospheric cafe called Eruza. But everyone called it Comos. It was where the girls from Sacred Heart International School would go after school to hang out, drinking brews and smoke. A few of the boys from my class would go there after school also, arriving around 45 to 50 minutes later with commute. I was lucky to live close by and would almost always be part of the last group to leave around 5:30 or 6. I could just walk up the hill, Zaimokucho, to get home from dinner. It was the most education I got, down there in that dark, moody cafe. The banter, gossip, information exchange, romancing and friendship that were created and nurtured down there were priceless.

Even at the time, I remember feeling so lucky and grateful being able to have such a valuable after school outlet for personality exchanges and general youthful exuberance and conceptual rebellion. We smoke ciggies, drank iced coffees, told stories.... there were tears, uncontrollable laughing sessions, serious arguments. But we were cohesive. A core group of about a dozen girls and half a dozen guys. My best friend, Jenny, a Hawaiian girl, was a cheerleader, sports star, academic achiever and very friendly and popular. She was an essential part of my belonging and maturing. She was very kind and beautiful on every level. We never dated. She went out with my friends and I went out with hers. The friendship was more precious, too precious to risk loosing. I was, even back then, in some ways an outsider, a joker. I had long hair and would risk getting in trouble at school if it meant getting some good laughs. In fact, I remember more than a few times, being suspended from school, and riding my motorbike to Comos, spending the day hanging out there reading one of my ever present paperbacks, waiting for the girls to arrive. Jenny would see me there already at three and know I had been mischievous.

She was equally as playful in spirit but managed to avoid reprimand. We shared a love of fun and people. Her acceptance and embrace of me got me in with the rest of the girls, too. (I was 9 months to a year younger than everyone in the year.) There was a Texan, a Korean, some Japanese American halves, a Brazilian/Japanese at the core. I got close to them all and learnt SO MUCH from them about the workings of the female species. Many times, it was just me and the girls. I would just sit back and listen, absorb, throw in a joke now and then or answer a query, as best I could, about my own gender. It was almost like being a spy. But I never betrayed their confidence. Not once. I had too much respect for what I considered in many ways to be the superior sex. They were certainly more mature and wiser. Plus, they definitely looked and smelled better. I loved being around those girls! I think I kind of knew how lucky I was but tried not to make a big deal of it. Looking back now, I realise I was REALLY lucky. Insights gained then have taken me far in relationships and in generally understanding and appreciating humanity.

Ah, all these memories from a picture of a parking lot. They pulled down the building of my youth but they can't touch the priceless and golden alter of my friendships and experiences.

Fragments

6/8/2014

Fragments of memories of experiences long gone
Fading but not forgotten
Fortune's favourite song

Keep pushing that replay button

Did you ride high in the sky that day?
Did you holler with pride, screech with joy?
Was the whole world yours for that moment?
Tell me, was it unreal, did it haphazardly happen?
Your one of a kind, unique and special favourite story?

We all have them stored away safely

Some shouted out in barrooms
Some still secret between just you and them
A few even made the papers maybe
Some just make you want to go back again

But you don't get second chances
In this showreel, fluttering, fleeting
And no returns, no two time burns
The drums just keep on beating

So move on to new peaks and pinnacles
You haven't finished until the end
Do not be dragged down by the mundane or the clinical
You've got the reputation of your lifetime to defend

Fire up
Loosen out
Grind and grind some more
Chin up
Crush the doubt
Power aid your core

With every thousand new dreams
One true adventure is born
Honour your primitive need
To be ignited, invited, reborn

You are still breathing, aren't you?
Then there is hope, there are chances
For in the end, you want to be there laughing, wild eyed
As your skeleton does it's majestic final dances

pushing past the past

20/7/2014

I was walking along the beach this afternoon, thinking. Thinking, as I always do. I try to trudge out any noisy, annoying, negative thoughts within the first kilometre or less, so that I can get to some useful cogitation, some thoughts of substance; elevated mindfulness.

The early part of the walk, the downer thoughts usually have to do with the sadness I carry around. Sadness that comes from childhood. Sadness to do with the lack of love and support I received as a kid, the inner struggle that was ever present, the loneliness, the insecurity, the tears.

I try to see beyond, to make amends, to forgive, forget. But I can't. Sometimes I feel like I am damaged goods. That I am doing the best with what I have got, but that I could have been so much more. Other times, I just, shrug and say fuckit, carry on. Expect less. Accept. Surrender.

Waa, waa, waa. Isn't everyone just the same, though. Aren't we all fallen angels, broken machines, injured souls. I think so. So it's really about coping. And carrying on.

Anyway, I was walking along today and on my way back, I mentally compared life to the beach stroll. At a certain point, you turn back. On the way back you are covering the same ground, but you see things differently. Just like when you hit your forties or fifties, you have lived a fair chunk of life and you can actually use it to look back on and consider who you are and what you have done. When you are in your teens, twenties, you just go for it. You have no perspective.

Obviously, things slow down as you get older. Some things you have done hundreds, thousands of times. You are well versed in the everyday requirements and expectations of being a human. (Hopefully.) Your needs and urges wane. Your ego has taken countless beatings and can now shut the fuck up sometimes, take a back seat, maybe even disappear.

You've most likely been through at least a few wonderful relationships that end, either badly, terribly or not very well. You've seen the ugly side of yourself and others. You have tried and failed. Tried again and failed again. You sometimes get lucky and somethings work out alright.

Mostly, though, you realise that life is not all fun and games. It's a challenge. And it keeps on being one. The parameters shift but the rules stay the same. As hard as it all is, you wish it didn't have to go by so quickly. There are many, many things you would do differently, given the chance. But you don't get second chances. Not really.

Strangely, there is a certain calm, acceptance that comes with age. You probably believe more in destiny. You know what you can do and can't do. You know how to make do with less. You know how to enjoy more from little. Nature appears more vividly and has a bigger place. Children offer delight, hope, warmth and a reason for still caring, still fighting. The miracle of existence, as a whole package, can be appreciated more often and readily. You know you are going to die. You've seen it happen to people around you. You may or may not think about it much, but you definitely know it's coming, getting closer. This can be a comforting thing or a frightening one. Depends on the individual, on the day, the circumstance.

Sometimes, not today, but every few weeks, I look out onto the horizon, while on my walk, and think, every picture I have ever done, even if it was expanded to 1,000 times it's size, would only fill the tiniest fraction of a single percent of this vista. Every day, every hour, the glorious outlook; the sky, the ocean, the beach changes and delights. A dynamic, breathtaking, living work of art. What I do, making little pictures, well, comparatively, it's just laughable. Of so little consequence. Why do I bother? It will never amount to anything. It is of absolutely no significance. In fact, my life, is of no significance. Not in the long run. Not really. Not when you realise and understand that it's all just a self created illusion. Not one of us is more that a grain of sand. So why bother?

See what I deal with on my daily walk? These are the kinds of things that go through my head. And looking at me, from the outside, if you chanced to see me walk past - you'd just see a dude taking a stroll. You wouldn't look twice. But in the silence, behind those squinting eyes - a battle rages. The struggle of self. The coming to terms with the quagmire of existence. The never ending questioning. Like the waves crashing on the shore. Relentless. And yet, soothing. Somehow. Kinda soothing. Comfortable.

One step at a time. Down the beach and back up it. A dip in the ocean. A frolic in the waves. The sun shines on skin. The seagulls jeer. The spirit is uplifted after a commune with nature's essence. The petty concerns washed away with the tide for another day.

I'll be back tomorrow to do it all again.

special delivery

17/7/2014

The first girl to ever grab my package was from Korea. Her name was Angie. It was at a school dance, being held at the girl's school. We were in a hallway outside the dance and as we kissed, she just reached down and cupped a handful. It was one of the most mind blowing things that had ever happened to me up until that point. I was fourteen years old.

I wasn't a virgin. I had already slept with a beautiful Japanese surfer girl called Yayoi whom I had met at Mobius Disco in Roppongi. I was a full year younger than my friends, Gordon and David, (whose father's worked as diplomats) and they pressured me to have sex with this girl. I really didn't have any idea what to do. When Yayoi and I were about to get started, alone in my friend David's spare bedroom at the Australian embassy with the lights off and our clothing removed, the buildup to this moment had been so great, that I suddenly realised that I had no idea what to do. Yayoi was also a virgin, so neither did she. I climbed on top of her and our bodies took over. I clearly remember being amazed at how proficient my animal instincts were and how they kicked into gear with an enthusiasm of their own, despite my youthful doubts and inexperience.

The next day, after I put Yayoi in a taxi, my mates took me to a fast food restaurant for a celebration and debrief. I do remember feeling different. I had done something that you only do once. I had lost my virginity. I was glad it was with such a beautiful girl. Even those guys were amazed at how I had pulled such a stunning chick. Truth is, she found me. She liked me. And she made it all very easy. There wasn't love, but there was fondness and respect. I saw her a few times after that, but she lived out of Tokyo (she even had her own car - which was a big deal at the time) and despite a sweet connection we drifted apart.

That's how I ended up with Angie. We used to hang out at the same cafe with the others. Ange wrote poetry and so did I. She had already attempted suicide by the age of 15. She had a dark, powerful allure. Most guys were afraid of her. Again, she was someone who chose me. I just let it happen.

That grab, at the dance, in the dark hallway. Phew. It was phenomenal. Until it actually happened, I could never have imagined it possible. Then a few months later, after school one afternoon, in the deserted upstairs area of a small local drinking spot, she did something even more attention getting. Something, I experienced for the first time. She really was a tiger. I was shocked, breathless. Half afraid that someone would walk up the stairs, half beyond caring, in a mesmerising mix of disbelief and pure euphoria.

Yayoi from Japan and Angie from Korea. School was somewhere I went because I had to. My real teenage education was from these two females. They were both there, at seperate times, for my graduation - from innocence to experience.

cat n me

13/7/2014

"Miles from nowhere
Guess I'll take my time
To reach there..."

Cat Stevens was a guiding force in my formative teen years. I learnt every word on the album Tea for the Tillerman and would listen to it (on vinyl; end of side A, flip it over and put the needle back down on side B, rpt - a process unknown to more recent arrivals on Planet E) over and over. So many incredibly soulful, meaningful, spiritual songs. All of them as relevant and poignant today as they were when first released in the early 70's.

Father and Son
Wild World
Where Do The Children Play
Miles From Nowhere
But I Might Die Tonight
On The Road To Find Out

That's just some of them. I'd have a favourite for a few months and then move onto the next. As a rebellious teen, I didn't get any guidance from my parents or school. I was pretty much left to my own devices to work things out. Real world experiences, friends, a steady flow of books, and a few select albums. Cat was number one. He had it all - the inventive, pure, melodic music with the meaningful lyrics. Other faves were Elton John (Yellow Brick Road) and Jackson Browne.

"Be wise, look ahead
Use your eyes he said
Be straight, think right
But I might die tonight!"

Cat was an anti-establishment, anti-authoritarian guy. He seemed, in his mellifluous, calmly charismatic voice, to be talking to my young teenage self, saying, "you are right not to buy into all the bullshit, find your own way." Some of this I had worked out myself, it was innate, but having Cat back me up, with his wisdom, quiet charm and self assurance sure helped.

know thy selfie

15/6/2014

When you take snapshots of yourself and select your favourite - what are you looking for? Are you trying to see/portray yourself for who you are or are you trying to capture/present a version of yourself that most fits your ideal self image?

Makes sense to do the latter, of course. But a selfie is just the cover. What really is important is what's inside the book. And what is equally important is that - this may come as a surprise - that YOU READ THE BOOK.

The book of self. New pages everyday. Some bits you write, others are written for you. All you have to do is record them. Some bits get erased. Some segments are abbreviated. Some are drawn out.

What is your story, though?

These days there are lots of book covers being flashed around but there is less and less content being revealed. Why is that?

There's always so much going on that things like long, intimate conversations with lucid friends, meaningful connections, investments of time and energy in those in need, etc - have become less prevalent.

Character. Personal morality. Philosophy. Discourse. Ethics.

In this money focused, ambition driven society there is less and less time for these things. Perhaps because the world has become so thick with information (and disinformation), in addition to entertainment and various forms of distraction (facebook, twitter, insta for starters), it is so easy to just drift along on a raft and never have to paddle or pull over to the shore and stake a claim or make a home. We are overwhelmed by complex systems, wheels within wheels; social, political and physical.

The world now takes it's own selfie, every day, every minute, every second. And we are not sure what to think. It is always changing! It's alluring, dangerous, stimulating, confronting, familiar and foreign all at once. Are we part of it? Have things gone beyond the point where one person, any given single entity - with their views, opinions, feelings, thoughts, outlooks - really matters? Is it all too much? Is the river now a tidal wave, a tsunami? Are we all just hanging on and hoping to land somewhere safe?

We take selfies to benignly assert our presence in the modern day. Look! This is me! Having fun, acting cool, being silly, sexy, wild! I exist. I am living the life. Whatever that is, at the moment. Don't ask. Questions make for discomfort. Questions stir things up. Especially questions we avoid asking ourselves. Those ones. The ones we are not sure we are even equipped to answer. Why bother? It's easier to just float along from day to day. Things will work out.

Thing is - who are you?

Don't you want to get to know yourself? Look at yourself? See what you are made of? Get to know your true essence?

If you do, you can, and you won't regret it. To find, you must seek. And the answers will only come once the questions are asked. And no one is going to do that for you. Not once you are an adult, anyway. It's your responsibility. In some ways, it's your primary one. To get to know yourself. Beyond what is on the cover. Beyond the presentation. Open the book up. Look inside. There is a world as grand and magical as you can imagine. There are things there that might make you uncomfortable, even fearful. But the truth is there is nothing to be afraid of. It's all you.

And you, my friend, you're a flawed and complex, sentient being. Just like us all. Do not judge or condemn. Accept and embrace. Discover. Uncover. Allow. Once you can do it for yourself, you'll be able to do it for others.

What does this mean in real terms - beyond the new age slogans? I don't know. It's different for us all. What I am saying - to myself, really - is that there is a need for more substance, more fibre, grit, integrity. What good is it to simply exist, without allowing your character to grow, to be revealed, to be celebrated in essence? Why not at least try to sort through your shit and dust off your dreams, pick up the book you have neglected and start to make up some stuff that you will proud of one day. Make a story, live a story, that you want to read. It doesn't matter what the fucking cover looks like, it's what's inside that matters. We want laughter and tears and meaningful, wonderful events to occur. Substance. You hear me?

cows remind me

7/6/2014

Living in the county is so much better than the city for so many reasons. But even with all the benefits and joys of things like no traffic lights, no parking tickets, fresh air, big skies, friendly people, laid back pace... etc... there are still plenty of times when you can take the wholesome goodness for granted and still become stressed over daily minutiae and concerns.

One of the things that never fails to remind me of how lucky and grateful I am, almost on a daily basis, is seeing the cows out in the paddocks. Whichever direction I head in, I drive past lots of them, and I look at them and I feel serenity and acceptance. They are humble creatures. They hang out together, in nature, under the sun. They move slowly, big cruisers, they munch at will, they stay still, look around casually. No wonder the Indians think of them as divine beasts. I have to agree. They are.

each new day

4/6/2014

Each new day
brings
it's own sensations, smells, flutterings

It springs
forth from the night

After respite
We are called to action
Could be challenge
Sometimes satisfaction

Each new day
promises
Hope, joy, fulfillment, adventure

We expect
Reward for our efforts

We anticipate
Arrivals and departures
With equal parts
Of soothing and sting

We feel things
Strings of things

We react and adapt
To

Each new day
surly
surrounds us
astounds us
whirly
confounds us
compounds us

Luckily
The sky is blue
And the sun gives warmth
And animals
Do their thing
Each new day

Choices, a lot of them
Perception, assessments
Intuition, responses

It's called being alive
and

Each new day
reminds us
relentlessly

Without judgement
Or imposition
That each of us
Is a mixture

Of confidence and surrender
Wonder
Acceptance
Suffering
Trust

and Hope
that

Each new day
Will be a little better
Than the one left behind
Washed away
Like our dreams

Did it ever really happen?
All of this, all of that

Each new day
Reminds us
Relentlessly

That we will never, ever know

As An Artist

1/6/2014

As an artist
Uncertainty is certain
Just being is a burden
You wanna break free
Show the world how to see
How much better it could be

As an artist
Vision is pure
You search for your style
The obvious is obscured
By the crap you were taught as a child

As an artist
You yearn and you hunger
You are full of hubris and anger
It doesn't come easy, not ever
To enrapture you endeavour

As an artist
You strive for you own kind
Of perfection
It may look messy, insane
But they are your rules, your game
And nobody can tell you what to do
What's true
What's meaningful
Or necessary
Is that a cricket ball or a cherry?

Some days you hate everything
Nearly as much as yourself
Other days almost heaven
Somehow
It's going to work out
You tell yourself

As an artist
No lies
Except whenever
No limitations
On the number of limitations
Courtesy of society or self imposed
You lack propriety
You jump on toes
Just to hear the crunch
A shot or a joint before lunch
Some days

As an artist
You yearn to escape
You need to unwind
The fucking jumble of gibberish
Awash in your mind
You wouldn't mind
If it wasn't so awful
You wonder what it would be like
To be normal
Sometimes
But not for long
You don't need to belong
You don't want to belong
Now do you

As an artist
Your pain
Is everyone else's gain
Especially after you're gone
You'll be celebrated, idolised
Or forgotten
Who cares
You care
Stay strong

As an artist
You have no choice
But to do what you do
To follow that path to the end
And trust your intuition
That you vision will see you through

Today, at least
Your pain has been released
Onto the canvas
Down for the count
Breathless and speckled
Staring, mouth agape
At the new creation on the easel
A fresh image to appease you

It's easy
As an artist
To tell yourself anything
To sell yourself short
To yell on the inside
To inseminate and abort
In blindingly quick succession

And details too decadent to mention

But at least you have one thing
Of which you can be certain
. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .

As an artist

I don't have to tell you what that is
Now do I

driving home

19/5/2014

Sitting here watching some old episodes of the tv show The Voice on my computer. I love the emotion of it all. I love how unknowns are given a chance and underdogs are discovered and nurtured by the professionals after they have passed the blind auditions and are selected on vocal merit.

Some of the performances are captivating and deeply soulful. Singers get to express their truth directly, through their voices. It is not something that can be faked. Honesty and soul shine through.

What caught my attention is in the cutaway interviews, the judges talk about 'being an artist... '. What they mean is performing artist, obviously. But it made me think about visual artists. And the differences between us and performing artists, in particular singers. They make beautiful sounds straight out of their mouths, they enchant, enrapture, transfix and transform people. It is a very powerful talent. It runs so deep and is timeless and profoundly moving. A visual artist on the other hand, mostly labours alone, often in silence; feedback or encouragement is rarely immediate and sporadic at best. We spend years, playing, experimenting, honing our skills and craft, attempting to make images that will express our souls.

A great singer can sing someone else's song and make it their own. A great artist can only make their own art. What makes a great artist is his or her ability to transcend the norm, transcend the limitations, restrictions, the expectations and create an image, or a series of images, that are so packed full of subtle power, so full of life itself that they cannot be ignored. To do this is extremely difficult and usually takes a long, long time. Devotion, passion, dedication and desire. Desire to journey to the edge of soul and gather up all the good bits, bring them back and throw them out onto the canvas in a act of pure mastery and magic. In it's own way it's just as powerful as an amazing song. Not as immediate, not as flamboyant or as attention getting, but just as moving, nonetheless.

I've been seeing these images pop up on my facebook page over the last few days by an artist I don't personally know. They are incredible. They immediately move me, I am transfixed and intrigued by them. If I see in a book, or online, someone who's work I really relate to, I will sometimes check if they are on facebook and 'friend' them. Most artists, bless their souls, respond. We don't correspond, really, I just 'like' their posts of new works and vice versa. It's pretty cool and one of the things I dig about facebook. But this guy, the one I am referring to - I don't recall how I came to know his work or when I friended him. I kept seeing his works being posted over the last few days - so many winners! - these were awesome paintings, wow! Thick and fast. I finally went to his page and worked out that his loving wife was posting his stuff. He recently passed away. She wanted everyone to see the beautiful works he had been doing in the last few months, years. It was poignant and sad to realise that he will be creating no more.

If I think about the feeling I get listening and watching a great singer doing their song and the feeling I get when I look at his works, I realise they both inspire me in different ways. A song, sung in a certain way can bring me to tears. These artworks, on the other hand, fill me with something equally as moving - not as immediate - but more esoterically, more subtly and in some ways, more profoundly. This man is not painting for an audience, he is not performing. He is following his calling, attentively, joyfully perhaps, recording in images his interpretation of the sensation and experience of being alive. He has left behind a beautiful and abundant legacy. I never knew him, but I feel like I do. And as a fellow artist, I respect and admire him for his talent and devotion. I thank him for his inspiration. Conrad Mecheski; you live on through your art, sir, and those of us who are priviliged enough to hear your unique, enchanting song exude from your gentle, complex, captivating images will continue to be uplifted and exhilarated by them for a long time. Thank you.