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Human Connections

22/10/2018

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     As I walked along the beach today, I thought about how I have been lucky in my life to have been able to spend chunks of time with very diverse groups of people.

I came to be thinking about it because of a friend of mine, Colton. We’ve just been friends for a year of so and although we haven’t really hung out that much in actuality, the bond is strong. It’s based on a positive outlook on life, a love of music. self expression and spirit. I answered an ad for a Korg Electribe rhythm production sampler on Gumtree and ended up at a boutique studio tucked away in the hills of Wilson’s Creek. I was met by the sound engineer, a Canadian with dreads and an easy manner. I didn’t buy the sampler but a few weeks later I invited him to a electronic music jam session in Byron and our friendship was formed.

He is one of a handful of musicians and music producers I have come to know over the last few years since I started doing my music production diploma at SAE. There are many top quality people like my teacher/mentors, Tyler from San Diego and James from Scotland. As well as them, there are the audio techs at school, fellow students and numerous DJs and local musicians who I have come to be friends with.

Spending time and interacting with these peeps has been a wonderful side benefit of my decision to studying music. Being around musos, I have come to know the breed from the inside. And I must say, they are a quality ilk. Easy going, considerate, and talented. Before I found myself enmeshed in the audio world, in my decades previous as more of a visual - art and film - person, I have to admit, I kind of always considered audio studies to be less desirable. It didn’t seem to offer the same vitality and energy that say, shooting or directing presented. I never considered it as something I would choose. Ironically, now that I am in it - deeply immersed - I have come to realise that it is a fantastically rewarding pursuit - in some ways the best ever. It’s like I stumbled into an entire world of wonder and magic that was always right there - I just never knew. It has been a revelatory experience, one that seems like it will continue to engulf, thrill me and pay me creative dividends way beyond expectations.

As well, it has connected me, more tangibly, with a new group of excellent people. Audio people are a true cool breed and I am very happy to be part of this exciting new subsection of creators.

I recall feeling a similar thrill when I was just nineteen and in my first year at art school. I looked around and thought; Wow, everyone here is kind of a weirdo! I found a place to belong! Previous to that I had tried two universities - Sophia, Tokyo and Sydney and found the whole academic world to be far too passive - too rote - too dry - and mostly unrewarding for me. At art school it was all about doing - expressing who we were - as honestly and intensely as possible. Not about being fed a whole bunch of old, preexisting concepts from books. We were there to discover and find meaning by making stuff - images, drawings, paintings, sculptures. I was lucky, cause back then National Art School was 95% practical. Just doing. There was an art history class - but it was just looking at slides after smoking joints and casually discussing images together and with the teachers - who were all practicing artists. Indeed, in third year of the painting major, we were each given a small studio space on the top floor an old sandstone jail and instructed to go for it. Teachers would drop by now and then for a chat, but really it was about allowing us to forge out own ways. A lot was learnt from each other. I loved being friends with and hanging out with artists back then as much as I do hanging out with musicians these days.

Back in high school in Tokyo, the group I eventually became part of was twofold. One was a couple of guys from the year below me. I was young for my class and although I did have a few friends it wasn’t till I somehow started hanging out with a Canadian, American and Brazilian guy from the class below (Richard, Kurt and Ricky) that I really found a place to belong. It helped that we were all non-conformists, rode motorbikes and liked partying. The other group I found place with was with the girls from the girls school. They would all go to a tiny basement cafe called Comos, in Hiroo, and drink coffee, smoke cigarettes and banter. Somehow, I became part of the gang. There were a few other guys, as well, but it was mostly the girls. A Hawaiian, a Texan, a Korean and a Japanese Brazilian were the stand outs. I learnt so much about life from these chicks. The Hawaiian girl, Jenny, and I became best friends eventually. She was one of the best people I have ever met. At the time, I was a little over weight and kind of an outsider, but through humour, a love of casual hanging out, and a willingness for explorative mischief in general - I became an integral member of the group. I was privy to some amazing stories and inside info! At school I was a non-achiever, not into sports or any extra curricular activities. I had trouble with authority and an efforts by teachers to order me around would get my back up. I mostly avoided trouble (by not getting caught) but did not find much value in the system - other than it supplying my clan and opportunities to facetiously rebel.

Another group that came out of this time was the night life people. I used to go out to discos and nightclubs and became friends with a number of Japanese nightclub workers, owners and partiers of the time. I also got to know some hostesses, high end call girls and members of the yakuza (tough but honourable). Being fluent in Japanese at the time was unusual and having lived there since the age of ten, I had insight into and respect for their traditions and mannerisms. I was a friendly, fun-seeking teen and was quickly able to become a kind of mascot to a number of interesting characters. In a few Roppongi nightclubs I was more than just a regular, I was availed special treatment - like being able to hang out in the DJ booth, sit in the VIP areas on occasion, and supplied with plenty of free drinks. It was pretty awesome. My preferred garb of the time was the full disco regalia - wide collared open shirt, vest and jacket - with heeled shoes or cowboy boots. I was as close to John Travolta in Saturday Night Fever as there was. It was an awesome time. A few times I almost got into some trouble, but somehow always managed to avoid anything serious. And again, it was because of my proximity and connection to the group that I was able to find meaning and satisfaction in the scene. I had incredible access to the Japanese ‘mizu shobai’ (nightlife world) of the time and got to witness and experience some dynamic and exciting things thanks to my proximity and friendships with key players.

A decade later, in the 90’s, it was all about film. A group of us used to hang out at the Tropicana cafe in Kings Cross - actors, writers, directors - and talk about projects and dreams. This was a fun bunch, too. I had found a new gang. The Tropfest was born in this time. I was there when it was first discussed - just an idea. John took it up and ran with it. My friend Rob Mac and I each had our short films in the first two - screened at the cafe itself back in those days. Rob and I went on to make a TV show called Coo-ee Australia for Japanese TV on spec. Many of the actors from those days have done well and we’re still friends. I continued to be involved in the film business for a decade, working on mostly Japanese TV commercials, TV shows and documentaries around Australia, New Zealand, the US and Japan. Film crews were my new family. Another fine bunch of people. Grips, DPs, art directors, runners. Lots of free spirits convening on projects. Like a circus troupe. Hard workers. Hard players.

After that I tried my hand at screenwriting, studying in LA. That was pretty solitary. I spent about three years immersed in that world. Studied at various places, read a thousand screenplays. One by one, I wrote six features. None of them got picked up. Maybe if there had been a gang, I may have endured.

The next group was poker players. What started as a casual tournament down at the local ended up lasting for a decade and over 3,000 tournaments. In the end I was semi-professional, making a few hundred a week, playing most nights, travelling around to wherever a good game was. Poker players are another strange breed. Itinerant, quirky, strong personalities. I got to know some good people, making friends from Lithuania, Germany, Britain and the US, as well as plenty of Aussies. Shared some good adventures and laughs.

So… it’s all about the people. Forming connections, bonds. Finding your tribe, or tribes that fit with what you are doing. Sharing pursuits, passions, techniques, goals, dreams. And now that I consider it all, it is the friendships and those special connections that endure. Memories were made. Some I will never see again. Most. But it doesn’t matter. We shared some good times together. It’s good to be part of a gang, affiliated with and immersed together in a common pursuit. We humans are good for each other.

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Dear Me

5/11/2016

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 I come here to learn about myself.

Like many of the things I do in life - there is no preconception. I just begin along a new path and follow it to where it leads. 

I was thinking about this just today. About how, by standard conventional standards (SCSes), I have fallen somewhat behind on the scale.

Do I have a home to call my own?
Do I have a spouse?
Is there someone I can call when I am down?
Do I have children? Grandchildren?
Do I have a career?
Have I achieved anything major, notable?
Do I have a stable work position?
Do I receive a steady salary, have financial security?

No, no, no, no and no. All no.

Does any of this worry me?

Not much. Occasionally, it does. But never for too long. And less and less. 

I realise I have lasted this long playing in the wild scrub, beyond the manicured playing field. Out of the limelight, never lined up in a queue, rarely filling in forms or signing documents, hardly ever getting mail or ever phone calls.

It's obvious that this is how I prefer it. 
I prefer to be somewhat removed.
I follow and flow with rhythms of my own conjuring.
I like silence. 
I like sleeping, dreaming.
I like letting time flow at it's own pace.
I like not having to do anything - instead being able to read, walk on the beach, or sit in a cafe writing lyrics or a new poem.

Sounds like I could be anti-social. But I'm not. When I am around people I really enjoy their company and their personalities. I have plenty of friends: good hearted, excellent beings I am proud to know and associate with. It's just I don't actively seek forced or extended social interplay like work environments, dinner parties, events. Give me some one on one time at a cafe with a friend, old or new, or an evening at a poker tournament with a wild mix of mild and extreme individuals, where you can join the irreverent banter or retreat into your personal space at any time. In fact, yeah, at the poker table I am very comfortable. You're not judged for anything other that your playing skills. It's one of the most accepting and interesting social interplays I know. You just be you and play your game.

I almost deleted this post because I felt I was talking about myself too much. And I don't like that. I'm not like that as a person. Got no tickets on myself. I would much rather hear someone else's stories than harp on about my own. I've always figured - I already know my shit - why use up precious time with another being bending their ear. Listen, boy! Learn! Empathise! Understand!

I've been called a good listener by many. And I respect and honour personal details that may be shared. I know how while we are, in many ways, a most robust species, we are also highly sensitive and vulnerable. If someone shares something with me in confidence, it never leaves the vault. 

So what makes me compelled, here, in this forum to froth off at the mouth like I am. Why am I opening up? And to who? What's the motivation, intention?

I'll tell you. 

I've reached a stage in my life where I fully realise the impermanence of existence. The mortality of the individual being. As well, the paradoxical nature of one's personality, one's life choices, one's destiny. It was always going to be what it is. But how did it happen? What were the stages along the way? The signs? The thought processes? The motivations? 

When someone shares their truth with others, it illuminates.

It resonates, provides options, invites consideration. 

I share my stuff here because, I get a lot out of reading the truth of others - in autobiographies, mostly. But, of course, also in personal stories told across a table, in a tent, on a haystack, or flying in a bucket seat in a sliver cigar.

One of the true beauties of ageing is the shedding of layers. The lack of need to impress. The seeing through the veils of presented images to the core nature. We are fucking amazing beings. There's no time to waste with ego-based surface garage. Once you reach a certain age it becomes all too apparent. And it's a relief. Life, where it was once all about  you, is no longer. It's about everyone. The bigger picture. You start to feel the joy of just being connected. Just being alive. Some habits, predilections, tendencies still shout or murmur in your ear, as the case may be, but you are not as compelled to acquiesce so easily. You have done it. You have done it - over and over. You've been trampling around, bumping into things and making messes for DECADES now. Some lessons have finally gotten through. We DO evolve. We do become wiser. Not much, but some. And wisdom is worth sharing. Can't hurt. At the very least it may amuse. And that's OK, too. 

Even the hint of smile on the face of just one person, one reader, makes writing this free style riffing rant worthwhile. I'm not doing it for me. I'm doing it for you.

OK, maybe a bit for me, too. But just cause I have to - no, just cause I don't have to. We can do what we want. It's not that serious.




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golden years

30/10/2015

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I was talking to a couple of guys last night at poker. I've met them before and know their names, but I don't know much else about them. Turns out that one of them is a year older than me and one of them a year younger; 53 and 55.

In between calling bets, folding and raising we mumbled a comment each about 'getting on a bit':

"Time is no longer unlimited. It makes for greater focus."

"I've been through a lot, survived all kinds of situations. I don't worry about little things anymore."

"It's not too bad. I preferred being younger."

I think one of these was really said. I just made up the other two. No one really talks about anything meaningful at a poker table. We're all trying to win the hand. If nothing else, it is a game that demands concentration (for optimum play).

But what of getting older? Hitting the mid fifties?

It is a surprise somedays, to look in the mirror at myself and notice that my face and head have aged. Of course, I know that decades have passed since I was young. I was there. But at the same time, it doesn't feel like that long. 

If I was to still look 35 or even 40, I would not find it discomforting or strange. It's as though the ageing of the body kind of rushes on ahead, on it's own volition, at a certain point and then calls out to you, 'Hey look! This is you! You've got grey! You've got wrinkles now! Less hair - on the head - and more inside the ears!'

Acceptance is the only option, of course. A cynical surrender. A dissassociative shrug.

On the inside remains the sterling will, the sharp focus, the tuned awareness. In fact, over time, some of the internal mechanisms have actually improved. Experience is the greatest of teachers. Lessons have been learnt. Dues paid. 

And then you start to consider people who you have know or have met or interacted with over the last while who are in their sixties and seventies. You don't feel quite as distanced from them anymore. You understand the slight slowing down, the laid back attitude, the inner quiet that some possess.

You realise that you are on the verge of joining a new club. You are also on the verge of leaving an old one. Younger people aren't seeing you as one of them any more. They haven't for a while probably. But you are noticing it more. It's fine, it's alright, because you have been in the club for long enough. It's activities don't interest or inspire like they used to. You are seeking something different. Something with new rewards. 

It is not all about more, more, more anymore. It is not about being as extreme as possible. It is not about affectation. It is not about talking up your game, seeking attention.

There is no time for these things. Time has become more precious. You want to fill it with things of true value. Things that are meaningful and enduring. 

If you really think about it, you realise that it is all laid out for you. The process. The sequence of a life. It has been done by all before and will be done by all after. Your perception shifts in an age-appropriate way. In a sense, there is no option. You realise the limits of being. But you also realise the miraculous wonder and grace and beauty of it all. You realise that you are only a tiny player in a massive game. You, in truth, are of little consequence. You will, whether you like it or not, be leaving before too long. It may still be a few decades off but what's a few decades? Weren't you just 35 yesterday?

And time goes faster, too. That you can attest to. Days whiz by. A year isn't long. This has it's benefits, too, though. You know that you can plan things in advance, work towards things and that the future will bring reward if you do. You have seen how things work. You have made the mistakes. And you have learnt.

So, it seems, a life is just that. It is something to experience. A complex, intricate sequence of events that connect together in the form of days lived and things done. All the emotions generated and spent, all the people that have come and gone, the places visited, the experiences lived through. All that. And what? Here you sit writing about it all, and it's as though it was just a story. There is no proof. No one else cares, not really. It has all amounted to nothing - in some ways. And yet - there are feelings of, I don't know, accomplishment, achievement, value, dignity, honour, amusement, bewilderment, satisfaction, acceptance....

It's like... OK. Hmmm... OK. Let's just keep going, then. I kind of get the idea now. I'm past the middle, heading into the third act. I still have some options. I shouldn't waste them (like I have in the past) (as you do). 

I have become someone. I have an identity. A past. I can work with it. There is a level of comfort, familiarity. I know what works and what doesn't. I'm going to gather up what remains available to me, take a clear and honest look at my current position and situation and see what I can do to create something interesting, something of worth. 

Yeah, I'm still here. I'm going to give it a shot. See if I can't surprise myself, outdo myself, extend myself beyond limitations set in the past. If this is me now, who is the me that I am going to be in ten years from now? Who do I want that to be? Pretty sure no one else is going to make it happen. I'm going to step up. Yeah, I'm going to really start living. Not the kind of living you do when you are young and it's all presented to you, tank full and no limits. No, a new kind of living. Decidedly different. A take-control but let-it-go kind of thing. A new awareness. A new care. A new gratitude. And with all that - a new chance to fully discover and perhaps even become one's truest, true self.

​Sounds like a plan.

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On The Comic Trail

31/7/2015

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So this is where I am at in a loose timeline with my creative life:

On the strength of my comedy radio show, The Wonderful Thing, on Bay FM and my comedic monologues in '05 and '06 for the writing competition Once Upon A Deadline (you can view the actual performances here), I was invited to perform an original comedy piece in NYC at the New City Theatre as part of The Globesity Festival. As luck would have it a close friend of mine in LA was going away on a film shoot and invited me to house mind in Santa Monica for the subsequent six months. The plan was to hook up through some existing contacts and try and get a TV writing gig. I'd completed my UCLA screenwriting courses a few years previous and had written six features by then, so I was confident and ready to attempt living and working there. As fate would have I landed during the infamous (and extended) writer's strike. No work for anybody. 

Cut to arriving back in Australia, still amped and hungry to write / make things happen. I approached the legendary comedian Austentayshus with some film ideas and we did some brainstorming together. Nothing on film came from it but a friendship evolved and Austentayshus invited me to go on a stand-up tour with him and see if I liked it. I was part of a duo - two dumb, Ocker doormen - called The Boing Boyz. I had done stand up solo before on numerous occasions - but never billed and paying gigs.

Let's just say it was a learning experience. What I learnt was stand up is fucking hard. As much as I love comedy and enjoy performance, the pressure and expectation from pub and club crowds tests the mettle of the most devoted. I surrendered. Lesson learnt - stand up was not for me.

Back to painting. I was sleeping on the floor (on a futon) of my parent's walk-in-wardrobe at the time. Almost fifty, yes. I had made it! They were kind and gracious enough to put up with my presence for a number of years as I re-established myself. But was I ever established in the first place? Hmmm... Regardless, I boldly decided to have an exhibition of small works (done in the wardrobic space) of a couple less than fifty paintings called '48 Reasons To Love'. The show went pretty well and encouraged more painting. 

Around that time I met a kiwi girl who also liked art and we made a studio in her Bondi garage. I went to the studio everyday and produced a large volume of works. And they were larger. From there I had two more shows of my paintings. Cut to the dramatic break up. Worst part: no more studio. Hundreds of orphan paintings stored in a-friend-of-a-friend's garage, then when she moved half in another benevolent friend's garage and the rest in the spare room of a divorced guy I knew from poker. 

With nowhere to go to physically paint anymore I was excited and uplifted to discover a symbiotic and rewarding relationship with digital creation. The newly released Samsung Galaxy Note had a large screen, great colours and a nifty S-Pen that allowed me to create a new studio - one that I could carry in my pocket. I created new works everyday in cafes, at the library and in my car, parked at the beach during the day or outside a club at night, waiting for the next poker game to commence.

For the next two and a half years, I made new pictures. I was able to find a way to print the best ones as limited edition art prints and had three successful exhibitions of the works. 

After doing 5,000 of these images, the newest generation of the Note, the Note4 was released. I got it on the release day. It was wonderful to have jumped from one to four. The quality and speed improvements were huge. I was excited. But doing more of the same didn't feel right. It felt like the end of that era. I had graduated. Somehow I decided to work only in black and white. And to include text. And to make them observational, commentary, funny. You know, like comics. Yeah, they were comics. And, with a bit of focus and devotion and trial and error... they came pouring out. 

So, I've done 2,000 of them now. We're in the present. I have decided to collect them and put them in a book. A paperback of 200 or so pages. Actually, three of them. A trilogy. So I have gone back through all the work and selected the top 600. The ones that will be published. I'm going to start with the first book, first. Makes sense. There are considerable processes involved - using Photoshop (which I have skills with) and InDesign for the formatting (which I will have to learn). But, I have my mission. I plan to have the first, self-published, run out by year's end. And, the other two in reasonably quick succession. 

Comics are fun because they make people smile and laugh and feel good about life. And that's something I have always enjoyed. So, it's a good place to be in.
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The Collector

29/10/2014

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I have always loved collecting things. 

When I was eight and we lived near the bush, it was special rocks and twigs. And tadpoles. And marbles.

At ten and eleven, when we lived in Tokyo, my brothers and I would go to a tiny but amazing model shop near Roppongi. The owner was an amazing model maker and always had awe inspiring scenes set up in his window. Inside was stacked to the roof with a comprehensive selection of plastic model kits. We used to buy and make aeroplanes (Spitfire was a fave, and the Stuka with its bent wings), tanks, and less often, a battleship or a destroyer. I was never that keen on the toxic smelling and hard-to-get-off-fingers adhesive that came in a tiny silver tube but I would diligently assemble a small army collection. What I loved most was painting them and putting on the decals - which needed pre-soaking a shallow dish of water and very delicate and precise handling.

Around thirteen I discovered the splendid and rewarding joy of reading books. New paperbacks (in English) were prohibitively expensive but I soon discovered a shelf or two of English language paperbacks in some local Tokyo bookshops. Again, the shops were narrow and tiny and crammed with merchandise. My area of interest and focus were up the front on the right of the Hiroo shop, down the road from our house. Just two or three shelves worth, each less than a metre wide. I would visit often and study every new book, considering it's value and possible reward. I really disliked buying a book if I wasn't going to read it, so I selected carefully, often reading the first twenty or so pages while standing there, sometimes for an hour or more before choosing. Luckily, in Japan, tachiyomi (literally standing/reading) is common and not discouraged by shop owners whatsoever. I would get out my fifty or a hundred yen and pay for my new treasure. The library at school was OK when I was younger with things like the Hardy Boys series (much loved!) but had nothing that would fast track the development and maturing of a hungry and curious teen. A few authors that spring to mind are Alistair MacLean, Roald Dahl and John Fowles. I would also read some slightly raunchy and macabre B grade novels - about witches, fighters and promiscuous experimenters. I was well known for carrying a paperback everywhere in the side pocket of our school blazer. Two other kids, Zac Callahan and Chris Styles, also started doing this and we would often check out what each other was reading and talk stories. Most of the other kids in the class associated reading with school work and shunned it. For us it was a doorway to new and exciting worlds. I'll always remember the feeling of finding a really good new book in the shelves. And the joy of reading one - wanting it to never finish. The Magus by John Fowles was an especially thick one and satisfyingly lasted for quite a while. I considered it a masterwork of the imagination. He also wrote a book called The Collector.

Part of the satisfaction of collecting is the thrill of knowing your subject, area of interest well and becoming familiar with all the popular and semi-popular items within it's realm. Then what happens is every time you go out seeking additions it becomes increasingly harder to find something new and worthwhile. You either have everything good or at least know about it and don't need to acquire it for reasons of taste or space. When you collect you are honing your knowledge and developing a personal taste and quiet opinions about the things within the microcosm of your passion. It's a very healthy and nourishing thing to do. I learnt a lot about art and developed my taste through collecting comics and album covers. I never bought new ones of either of these groups, preferring the chance and thrill of second hand hunting expeditions.

Other things I have collected over the years: movie posters, magazines (especially early Esquires and National Lampoons), film scripts (ordered by post from LA), poker card protectors, hippy necklaces, stickers, caps, skulls and bottle tops.


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u be u

22/6/2014

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Just saw a picture posted on facebook of a distant cousin of mine. It was a post-lunch shot, out with his wife and mother-in-law. He's wearing slacks with black leather shoes, a tucked-in shirt and a sports jacket. Everyone is smiling and happy. And I'm happy for them. 

It did feel a little formal and forced, however. And it reminded me of times, long ago now, when I would do things like that.
- tucked-in shirt
- uncomfortable shoes
- ironed pants
- attending functions I would rather not

It reminded me that my goal in life has always been to be and become as liberated as possible. We are all bound by social structures of some sort. One way is to accept them and carry on. There is plenty of good stuff within the confines of conformity. This has never been my way, however. I have never enjoyed forced conversations, false politeness, pressured attendance of functions or events not of my choosing....

I realised, looking at this photo, that I have come a long way. 
- I'm almost always barefoot or in sandals
- I wear comfortable shorts all year 
- All my shirts have the sleeves cut off
- I no longer attend stiff or formal gatherings
- I am not expected to behave in any certain way by anyone

etc.

And the important thing here is that this is the way I prefer to be. This is how I function most efficiently. The less stress, expectation, pressure: the better. I rarely get mail, my phone almost never rings, I don't get invited to dinners or parties.... and I am so relieved.

It's not that I am shy or do not like people. I love human interaction. It's just I don't like feeling trapped or having things expected of me. When I go to the local cafe in the afternoon, all the staff knows me and we joke around. Same as poker in the evenings; it's very friendly and social. But it's also very accepting. If you don't feel like chatting - you don't. 

I guess I have found a place, sculpted a format of existence, that is well suited to my lone wolf, artistic gypsy temperament. I realised all this, just now, seeing that photo. I could see where my cuz is at. He may, too, liberate himself. He may not need to. He may love his place already. But me, I found that way of living to constricting. I had to get divorced, I had stop wearing shoes, I had to curtail social interactions that were no longer meaningful or rewarding. I had to move out of the big city.

Instead, I spend time alone, thinking, making art, reading, writing, playing games, joking around... all the good stuff. Simple, nourishing, natural activities. The stuff that I have always enjoyed the most. If - or when - I can make a more than just surviving living out of it all - then I will add travel and driving a nice car to the list. Until then I'll count my blessings.

If you are able to claim what you need in life, and you can, then you should. Only you know what best suits you. Find it, work it out, go for it. You'll never have it all - but, hey, you might just find the less you've got the better.


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travels thru time and space

23/3/2014

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I really should be writing here more often. Because everyday I have revelations and interesting thoughts, dynamic mini-conceptual-breakthroughs. And yet... and yet... I let them come and go and many go unrecorded.

Why? Am I being lazy? Neglectful? Some sort of sabotage? Not sure. 

There is a bit of laziness. Like - I don't need to write it all down. There'll be new stuff tomorrow. If it's really important I'll think it again... etc

BULLSHIT.

I should be keeping an updated log. It's my job. I'm a poet, a writer, an artist, a philosopher. If I become too lax in my journals, well... well... the progression will be too staccato. Some important revelations may be overlooked, slip away. 

Sure, no great loss to humanity, but a shame, nonetheless. For who is to say what is important and what has an effect and what that effect may be. My job is not to second guess those kind of things. It's just to do what I have set out to do in this blog and record my truth, un-edited, freely, unselfconsciously. Then, let the words do their thing, go where they will, be whispers or screams, be heard and hindered or ignored. Be laughed at or with. Not my concern. I am simply the conduit.

My life is lived differently to many. I am a solo explorer. I spend an inordinate amount of time with my self. I use the time to create art, just to be, to observe, to experience being alive, to witness and assess the human condition. I pay close attention. I am my own guinea pig. I am the scientist and the subject. A living experiment. Ongoing. So I must write the reports! I berate myself.

So what's the AMAZING thoughts from today? 

Er, I've forgotten. Ha ha ha. 

No, let me think. 

Today was about trying to balance the mix of inner world and outer world. As our perception, our concepts, our beliefs are the filters through which we perceive the outside world, every experience is subjective. There is no truth. Just versions. So when I go out, like I did today - to the cafe (flatwhite and new artwork!), to the shops (slippers!), to the beach (bodysurfing!), to the pub (poker!) - what I am really doing is using the existing structure of reality to comfortably fit into my idea of how I want things to occur. 

And I'm happy to report that, apart from not winning at poker, it was quite successful. I did notice that along the way, various small things did stress me out and as best as I could and as swiftly as I could I made an effort to quell these moments of unease. They were only trivial - a lady parking her car too close to mine unnecessarily - a guy at poker taking forever to shuffle as he crapped on with some uninteresting tale - as examples - but I noticed the mini spikes in my serenity and attempted to limit their amplitude. 

We all seek, desire peace and comfort. We want to belong. We want to feel at ease, unthreatened. This is basic. Beyond that we want some excitement, some joy, some attention, some love.  We're all the same. But different. Different needs and expectations, different perception and behaviour. 

All you can do is try and streamline your own life experience to best suit your true, individual self. And who is that? It's an evolving thing, of course. Be to fully know yourself, you need to pay attention. And more than that, you need to consider things and make modifications. 

Having said that, some choose not to at all. And that can be valid, too. Who am I to say? My personal quest is to find meaning and substance where I can and then share it. With a joke, an essay, through images or video. Whatever is at hand. 

Which brings me back to the starting point. The reason I need to be more consistent with this blog is because if it is going to be worthwhile - then it's up to me to make it so. I can't predict what will come out. But I can make the effort to begin with the first few words  - whatever comes - more often. And, so, I will.


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love many things

2/11/2013

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'The best way to know life is to love many things.'

I was playing poker last night at the local RSL club. At the final table I was inbetween a 22 year old apprentice mechanic and a 70 year old local bloke who was a matured mix of tough and kind.

The kid was full of swagger. He was upbeat, cheeky and fun loving. The older guy was patient and thoughtful, enjoyed interjecting with the pithy quip now and then. I enjoyed my vantage point. Come from one place, heading towards the other. Part of me wanted to give advice to the young fella, about what to expect, how to ride the highs and lows, how to truly relish the halcyon days and wonderful shared experiences that youth peppers you with. But, nah, he'll find it all out in his own time and way.

Then I thought about the amazing voyage that life is. You make it to fifty and you really have seen plenty of action. Both sides of the coin. Good and bad in all it's variations and shades. Experience truly is the greatest of teachers. You learn by doing. Getting in there. Getting dirty. Taking those hits and tumbles along with the sweet rides and the barren stretches, mouth parched and nose bloody.

I felt at peace there, at the table. The old fella dropped out and the young gun and I ended up sharing the victory - split the cash and the glory. Poker is one of the many things that I love. And so are people. And life - with all it's twists and turns, challenges and delights. It's the greatest game there is.

I'm all in!

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    Author & Artist

    Lewie JPD 
    Blog Mission Statement: 

    "I am taking this opportunity to openly and freely express my simple truth in a relaxed, stream of consciousness manner, without self judgment or editing while transcribing and celebrating the process and practice of being an artist.

    My goal is that I will have some fun recording sentiments and thoughts as they come to me, coupled with my recent imagery. As well; to learn something of value and share something that may inspire/offer insight to other artists, creatives and sentient beings."


    Disclaimer: He's high!
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