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Floating Thru Time & Space

25/12/2018

1 Comment

 
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 It's not that I am lazy - but I can be so lazy.

Motivation is overrated. Success is a mirage.

Gimme a camel, some fresh dates and a cup of tea in the desert, surrounded by nothing, any day.

We aren't going anywhere. Nothing matters, ultimately, so why get caught up in it?

Because it's so seductively real-feeling. Our minds trick us - drive us on - this thing, that thing, the next thing. Want, want, want.

Why am I writing this now? Because I feel I should. A little. (Also, cause I do like writing these things - once I get going...) Why do I feel like I 'should'? Because I have been doing it for five years now and to miss a whole month would be - I dunno - negligent. Wasteful.  Some part of me believes I am building something. Something worthwhile. An artist's journal. Insights into my mind. 

At the same time I know it's nothing that original or deep. Just the free flowing ramblings of another survivor. I feel like a teenager right now. This is how I used to write at thirteen. Just put down whatever comes. (Which is actually a good way to write. But you are supposed to tighten it up later, edit, make it a little fancy, polished. Later never comes.)

We didn't have LOLs back then to punctuate our sentences. We didn't have lots of things. No blogs. No computers. I used to write in notebooks with a ball point. 

Where was I? Oh, yeah; forty four years back. Say hello to the new old me - or the old new me! 

I haven't changed much. They called me lazy in school. Labelled me. Underachiever. But why waste time on bullshit! I knew life was not going to be what they presented it as. I knew what was useful and what was useless (for future me.) Stuff like - physics, history, Latin (yes! we had to study it! OMG, right!) - most of the academic stuff. English was good. Maths - good. Art - oh, yeah! Choir, drama... now we are talking! 

I was right. I didn't quite know it back then, but I was a free spirit, a mini rebel, an artist. And nothing has changed. Well, lots has changed. I have lived a life. My best friends from school are all heading towards sixty now. Those great people I remember as vital, good hearted, zesty, lucid sixteen year olds. They're all doing things, they've been through it all, too. You don't know how it goes until it's mostly gone. Seems like a bit of a rip off in a way. But there's no point in complaining. Cause no one is listening. You're the adult now! The authority. If you can't fix it - no one else can. That much you know. It's beyond ironic.

So why do I bother? Same reason everybody else does. It's easiest just to go with the flow. Keep being who you are. Doing what you do. How you've always done it. 

And although I have very little in the way of material reward to show for my devotion to creativity and passion and self expression, to living free spirited, unattached, unemployed, still making stuff up, creating every day - although I have not found success in the current social definition of success - I have been able to keep it going for a long time. Been a bohemian, a drifter, a dreamer, a poet, a romantic. I have not given up.

I am who I am and who I have always been. Same kid. Feeling life deeply, strongly, wildly. Overwhelmed at times by the ferociousness of reality, the demands of a sentient mind. But coping. Making the best of things. Taking what comes and dealing with it on my own terms in my own way. 

I never had any choice. I was born to be who I am. That much is clear. I resisted, circumnavigated society's insidious pressures to constrain and contain me. I have eluded conformity. Things haven't turned out ideally but they don't. Not for anybody. That much I know for sure. But if you are lucky, you can hang on to yourself - be true, face it or flee it as the case my call for - but follow your inner voice, stay alert, aware, open, hopeful. Keep dreaming.

Sure, be lazy. Unless you feel like doing something. Unless you get a good idea. Then do that. 

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how I became a vegetarian

25/3/2015

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I was not an athletic teenager. I did enjoy riding my bike and skateboarding and did a fair amount of walking but I was not drawn to after school sports. I was a rebellious teen and found it particularly difficult to obey and bow down to figures of authority who were not worthy of my respect. Some teachers were decent, some were good - no problem. But there were a few of them with serious issues and a predilection for dogmatic and dictatorial behaviour - essentially bullies. These few individuals caused me a lot of trouble and heartache when I would refuse to accept and follow their unfair rules and policies. This caused a rift between myself and my parents - who by default sided with the teachers. So, due to this, plus being physically bullied by upper classmen who found my strong will and caustic asides to be something they could only deal with through brutality - I became somewhat marginalised. I would comfort myself with delicious snacks - Japan has splendid and uniquely delightful confectionary and baked goods! And so - chubby teen. Not obese - just pudgy and out of shape.

But it was a problem. It compounded already existing emotional challenges - the kind that we all experience from 13 to 17 or 18. I didn't feel great about myself, I hated school, I was being bullied, I did not feel loved or supported by my folks... thank goodness there was no facebook or blogs back then - or everyone would have been reading about it. It wasn't all bad, of course. I had two great brothers, a handful of excellent, fun loving friends and as it does, time moved on and the hormones subsided, I got older and wiser.

At 19 I was in my first year of art school back in Australia and starting to sort things out. I read books on spirituality and philosophy. I wanted to work out the meaning of life. I wanted to find my purpose and place and come to some understanding of the nature of being. I felt a need to define my own standards of living. It didn't take long before I realised that eating meat was not something I was comfortable with. If we lived out in the wild, I acknowledged, I would never slaughter a cow or a pig or even a chicken for it's flesh. It's just not something I would consider. I would forage for fauna and eat fruits and vegetables. It seemed natural to me. And nuts. So, I cut out all meats. Then, before long, I stopped eating dairy or any kind. I became a vegan. I was also doing long runs in the evenings and swimming. I lost all my chubbiness and became slender and sinewy. I was living on just fruit and veges and nuts. Then I cut out veges. I am not sure why. Streamlining. Then I stopped eating fruit as well. In the end I was just eating raw nuts. Two small containers worth per day. I think I was high on being so light and eating so little. I could run so easily and quite a distance, too.

When I returned to Japan to visit my family, my Mum immediately started crying when she saw me. She was so worried by my new svelte (gaunt) appearance. I refused to eat anything but the raw nuts. But it was harder to do in Japan and eventually I ate a few bits of fruit and veg. When I came back to Australia I went to see a psychiatrist would informed me that I had the early stages of anorexia nervosa. He made me look in the mirror and pointed out my protruding ribs. Not good, he said. Not normal. And my weight - 59kgs. Not enough. (I have been more than double this weight since then, at my heaviest. My optimum weight is around 90kgs.) So, anyway, it made sense. I had gone too far. I started eating - and enjoying - fruit and veges and grains again. Being a regular vego.

In those days, though, in Australia in the 80's - it wasn't normal. I was an art student so normal didn't matter - but for at least a decade there was always a bit of a kerfuffle at restaurants or at people's houses for dinner. 'No meat? None at all? What about sausages? Chicken? Chicken must be alright, then, eh?' Er, no. 

So for the next thirty years I was a vegetarian. Then, around fifty I was tempted by a foodie girlfriend who fancied herself as a bit of chef to have 'one little taste' of her beef cheeks stew. I resisted. But, of course, it was futile. One bite led to another. Then a small bowlful. Over the next year or two the floodgates opened and I sampled all the meaty delectables I had denied myself for so long - bacon, BBQ lamb and sausages, chicken, hamburgers.... 

Eventually, I realised it was time to return to my natural tendencies. I became a vego again. I will sometimes eat seafood but not very often. Some tuna in a salad or sushi a few times a year as a treat - but that's it. It just feels cleaner and healthier. I am glad I took that break, the foray into full carnivore territory, because it's made coming back to eating just things that grow, nothing that has to be killed, something I appreciate and respect even more.


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life's a gamble 

13/9/2014

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It's all about who you know. And who you know depends upon who you meet. And who you meet depends upon where you go and what you do. Where you go and what you do is up to you. 

What I am saying is that if you want to achieve something, then you follow the path towards that goal. Along the way you will meet people. Some of them will see what you are doing, like it, like you - and choose to assist you in getting to where you want.

After leaving art school I learnt this lesson a few times. Once in Australia and once in Japan. In Australia it lead to having my animation being broadcast daily as the new opening credits for a very popular TV show. In Tokyo it meant that I was able to return to my high school and get paid to shoot and direct a music video of my devising that included a scene of a beautiful girl in a mini skirt dancing on the desk of the high school principal in an act of defiance and celebration.

First: Sydney. I had recently graduated from art school and decided to try and make some money as a freelance illustrator. I put together a portfolio with some of my work and started doing the rounds; visiting art directors of magazines, ad agencies and publishers. Generally, it was usually one job for every six or seven meetings. I got a few breaks - did a few illustrations for Playboy magazine, some comics for a new fashion magazine and one or two other small jobs.

I had always liked the aesthetics of a free magazine called Billy Blue. The content was light but they had great covers. Very arty. Many of them were done by a then relatively unknown artist called Ken Done. His work was awesome even back then - loose and fresh. I did a few mock up cover ideas of my own and went in to see the art director, Ross Renwick. He was a great guy and positive. He didn't run any of my covers but hooked me up with his second in charge - a guy about my age, mid twenties - Jamie Barnes. 

Jamie really took his time looking through my work and I could tell that he really loved it. He had great taste and could pick the strongest and most interesting works with ease. He particularly likes experimental work I was doing with Polaroid SX-70s. We clicked. He never ended up getting me any work at Billy Blue, despite the fact that every month I would submit a new cover idea proposal. He did, however, welcome me into his circle of creative friends which included two amazingly talented, visionary, free spirited art directors, Graeme Davey and Mike Heffernan.

Through Graeme I ended up getting a regular gig for Waves surf magazine doing a monthly full page, full colour comic as well as some fun work for General Pants that we collaborated on. Mike got me my dream assigment of the time - an album cover (Life's a Gamble by the Oz rock legends The Radiators), front and back, plus lyrics insert - without any restrictions. The brief: "Go for it!" I did wild and crazy collage, front and back, sourcing cut-outs in the hundreds and compiling them, old-school cut and past style with scissors and glue (Photoshop had not been invented). I also got paid a super premium amount for the work. Mike loved it the record execs loved it and the band - who were each incorporated in the back cover art - loved it, too.

On the strength of that work and Jamie's backing and initiative I was invited to animate a promo for Channel Ten in a collaboration with an animator, whiz kid, Ray Van Stenwyk. We went to town. That led to being commissioned to do a new opening credit animation (shot on super 16mm film, one frame a time, using a custom frame designed and built by Ray). It was for the very popular afternoon kid's show Simon Townsend's Wonder World. It ran for many years.


Tokyo: I'd been working as a freelance illustrator in Tokyo for a year of so. This involved riding my Kawasaki 650zx all over Tokyo with my portfolio on my back, cold-calling art directors from magazines, design houses and ad agencies. I met so many different people. Only maybe one in ten ADs actually got my style, but they really got it and used me straight away. 


One of these was a great man called Ken Arai. He was the AD of a Magazine House popular culture mag called Popeye. The biggest selling mag of the day. He gave me a regular gig that lasted years. Four illustrations in every issue. It was a huge break and I had a lot of fun playing with it - and in expensive Tokyo; loved the regular paycheck, too. Money for game centres, yakitori and sake!


On the strength of that work and my Oz animation reel, I was suddenly, and surprisingly offered to direct a music video for a Japanese pop star, Taro Shinohara. Again I was given full creative control. The song was called 'Crying Youth'. My concept was we'd go back to my old high school to shoot a fantasy sequence with a rebellious Taro and a sexy girl (I cast my wife, Bianca) dancing wildly on the principal's desk. It was a very satisfying and vindicating experience. I threw in some animation and inventive titles and it was a big hit. It all came from someone saying, 'Well, you are not for us... but why don't you go and see this guy." Funny thing is I almost didn't go to the meeting because I was sick of rejection - but something nudged me along.


So, just like it says in the Rad's title track - you play the game, roll the dice and hope to get lucky. Sometimes you do.


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bending the laws of physics

12/9/2014

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I've always enjoyed reading autobiographies. These days even more so - in fact, almost exclusively. Recently I have read ones by the pilot of a Qantas Airbus flight over Singapore that had an engine explode, an Aussie ex-SAS who went into Lebanon to extract two daughters snatched by their father, got caught and landed in jail, and Portia de Rossi's true tale of her ascent to stardom and battles with bulimia, her sexuality and fame. I know I am going to enjoy a book when the voice of the narrator is steady and honest: a life story that shares trepidations and triumphs with personal detail and insight. (Three of my all time favourite autobios are At Home In the World by Joyce Maynard, Townie by Andre Dubus III and Burning the Days by James Salter - all exquisite.)

At the moment I am reading the memoirs of Biz Stone the guy who co-founded Twitter. It's a bright and interesting read. The thing that stands out about his is his attitude to life. He likes thinking outside the box and making up his own rules. When he was in high school, he realised after two weeks that with his after school Lacrosse practice, plus his part time job, couple with a minor learning disability that if he was to do his nightly homework with any level of diligence that he would only be getting three of four hours sleep. So he made a decision and the next day went in an announced to his teachers a no-homework policy. He explained why and they eventually accepted his reasoning and promises of trying extra hard within class to keep up. Reading this reminded me of my own special deals made during high school.

It was junior year. St. Mary's International School in Tokyo. Day one of physics class, first class of the morning. The teacher was Mr Tong. I was sitting up the back. He was rambling on up front. Within minutes, I zoned out. After a while, I thought: a year of this?? I leafed through the pages of the text book. It looked complex and dry and held no interest for me whatsoever. Tong was a nice enough guy, but he was hard to understand and it was evident that he wasn't going to be bringing this text to life. I made a decision. There was no way I could endure a year of this. And first class of the morning, too. No way.

I hatched a plan. I wrote a letter to the principal explaining that I would be much better off doing extra Japanese language and kanji study in the library during this period and that I would devise a format with the Japanese teacher. I can't recall my reasoning for not needing physics but strongly expressed that more Japanese would be much more beneficial and rewarding for me. He read it, with some skepticism (I was a known scallywag), but eventually agreed that if I made a curriculum of study and got it signed off and checked weekly by the Japanese teacher that I could proceed. I took it to her and presented it with zest and optimism. She signed it and Brother Charles gave me the OK. So, part one was accomplished. 

I think I did the first week and got a form signed. Maybe even two. It soon became apparent, though, that I could let it slide. I stopped doing any work and took to just reading magazines in the library. It seemed that both the J teach and Bro had forgotten about it. Eventually, I realised that I could actually come in school a little later, since it was first period. So I started coming in ten, twenty minutes later and going straight to the library. Then I began the ritual of having a cigarette in the toilet by the window. Then my Aussie mate, Gordon, once he found out, would regularly ask for a toilet break from Mr Tong and come in a join me for a few puffs.
It was a successful transition from being stuck in a boring, useless class to having a full period every morning all to myself to relax. It was a triumph.

It nearly all fell to pieces, though, when I asked Gordon if I could borrow the keys to his motorcycle one morning. I had my Japanese bike license by then but was yet to afford a bike of my own. Gordie had helped me learn and was a generous spirit and chucked me the keys. "Get some practice", he said, "just try and be back in time for our smoko time." I was elated. I snuck out of school and into the bike parking area, put on the helmet and started it up. I didn't go too far afield. I did this a few times with great joy, a sense of freedom and success. Much better than being stuck in some dumb class. I had cracked the paradigm. Broken free. In an effort to share my elation with fellow students I drove along a side alley, past the window of the class I knew Gordon was in, three or fours stories up. I tooted the horn. He recognised it and rushed to the window. I went round the block and did it again. He waved. The next round, I beeped more and there were few students. The next one, there was half the class, all waving and cheering. Then, kids from other classes were also rushing to the windows, going ballistic. It was a celebration! One of us was free, had escaped. I was a symbol of liberty and freedom.

Obviously, I hadn't quite thought it through, because when I went past the front of the school on the next round, I was waved down by a very angry teacher. I made up a story about how I was late for school and just beeped once. I apologised for the disruption and promised to head immediately to class (or not-class in my case). I went to the library and sweated it out, hoping the principal would not hear of it and take away my privileges. Luckily, he didn't. All was cool. I kept my first period freedom for the entire year. Initiative was rewarded. Rules are there to be bent and broken. Make your own freedom. Lesson learnt!
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anonymous usher

23/8/2014

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I always wanted to work in the movies.

When I was fourteen or fifteen my father formally called me into their bedroom for a discussion. I was having a few issues at school - trouble with accepting authority, occasional truancy, playing class larrikin, detentions and suspensions. My grades weren't great, I rejected the concept of homework (they can make me go to school but once I am out, my time is my own), I chose not to participate in after school sports or clubs.

Not your ideal student, I now see quite clearly. But at the time, I was instinctively rebelling against what I perceived to be injustice and domination. I did not choose not belong. I did not belong. The rigid, intense, result-oriented system did not integrate well with my free spirited, easy going nature. Teachers attempts to force me to comply only resulted in a stronger sense of anarchy in my young spirit.

I wish I had been there, the me now, to support and nurture that young fellow.  He wasn't a trouble maker, not really, he just had a sense of freedom and fun. He truly had not interest in chemistry or physics class. He knew that studying those subjects, as well as Latin and Religion, were a waste of his time. I would have said - if he has to be locked up here, why not just let him do art and English, drama and choir all day. And a long lunch. Maybe leave a bit earlier. Come in a little later. Four days instead of five.

I know now that the me then, was essentially the same as the me now. I wasn't someone who was going to be changed or melded by a bunch of strangers. Especially not by austere, sometimes deranged, sadistic, even perverted, assholes.

In the few subjects I had good hearted teachers (English, Art, Geometry, French) my attention giving and grades were pretty good. I just found it impossible to tolerate bullies and dictators.

My father, bless him, was a very different kind of person to me. He was an achiever, he thrived on rules and structures, he did not mind following, behaving. I was, in his estimation; a failure. If not already, then destined to be one if I kept up with my rebellious behaviour. I know this because he told me so.

"What do you want to do with your life? What is your plan? What do you want to become?" were the questions I was asked that evening, at that meeting, which felt serious and important, formal. Both my parents were there but my father was leading. They were worried about me, he said. The school had rung again. (The truth is mostly I tried to keep out of trouble, ie, not get caught. And  mostly, I succeeded. The reprimands and punishments I received were a minor fraction of my actual infractions. So, I was actually, in my own way, quite canny and intelligent. I also was aware of having been selected for and invited to attend a special school for advanced intelligence children after testing. I decided I did not want to go, when given the choice, because I did not want to leave behind my friends. Regardless, we soon left Sydney for Tokyo.)

"I want to make movies", I replied, after giving it some thought. The answer felt right, in fact, it felt like the only possible answer with any veracity. At that stage of my life, I also liked collecting comics, listening to radio drama, drawing, writing stories... but I loved movies. They were powerful and captivating things. Enthralling. If I had to be involved in some sort of formalised activity - well, that would be it. At least it wouldn't be boring.

"Movies?" My father scoffed. "How can you say that you want to make movies? What makes you think you can make movies?"

Oh. I have to answer. 

I had actually made a few Super 8mm films by then, but nothing elaborate. I did not have any feature credits to my name... In fact, I did not even know exactly how the process worked - screenplay, rehearsals, actors, director, producers, art department - I just instinctively responded to the question with honesty and optimism.

"I love movies." I said. And do what you love, right? Wrong.

"Just because you love movies doesn't mean you have any talent or will ever be able to work in movies. It's a very specialised industry. I'm talking about work. A job. What kind of job are you going to be able to do when you leave school? If you keep up the way you are, you'll be working in Woolies at the checkout. Is that what you want?"

"Er, no." I replied. (Thinking: it wouldn't be that bad. Standing behind the till. Playing with the machine. Chatting with people...)  But I said no. And it wasn't my dream, nor my goal. 

"If you don't start behaving and doing better at school, you will end up nowhere, with very little..."

The meeting was adjourned soon after. I agreed to try harder. I accepted that my answer to the question of what I wanted to do with my life was not acceptable.

I feel sad now. If only I had been encouraged. If only in that rare, important moment, when I was point blank asked what I wanted to do with my future, I had been listened to, heard. Things could have gone so differently. Why ask a young boy that question then squash his heartfelt, impulse response? Obviously it did not fit in with my father's agenda and world view. It was not about my life. It was about his life. And about curtailing the disturbance that my behaviour was causing. And, just like the teachers I hated, trying to make me into something I wasn't.

That moment was a very long time ago. That was the moment that a father inadvertently condemned his son to a life lead with an attitude of underlying defeatism, surrender, displacement.

                 ------------------------------------------------

Cut to me at twenty. At art school. Living in Sydney. I still loved movies. A year before, I had been to every cinema complex along the main street in Sydney seeking employment. Just fill out the form, I was told by unenthusiastic lady ticket sellers. I never heard back, of course, from any of them. It was a closed shop. Those jobs paid well, vacancies were rare and often handed to friends and connections. Being an usher was considered working on the fringe of show business. It required wearing a bow tie and a fancy jacket, dealing with the public with class and efficiency. Nobody walking in off the street was going to get in. That much became clear. Still, I really wanted to work in a movie theatre. Better yet, a multi-theatre complex.

One afternoon, while with my brother and my girlfriend, perusing the books at the old Gould's book shop in it's original location in George Street, directly opposite Hoyts cinemas before heading downstairs to Crystal Palace to play some snooker, I had what I can only describe as a moment of pure, unfiltered inspiration. I was zapped, nudged by some energy, given a specific mission.

"Wait here guys, I'll be back soon." I said, and ran out the door. I crossed the street. Entered Hoyts. "I am here to see the manager!" I pronounced with premeditation. 

"Do you have an appointment?" the lady asked. 

"Yes!"

"What's it in regard to?" she asked.

"About working as an usher."

She checked her big red diary. Slight frown.

"You're a bit early." She harumphed and climbed off her high stool. "Wait here." She trudged half way down the corridor of ticket sellers and disappeared into a doorway. She reappeared with a message. "Mr Cesarro will be out in a minute."

Whoa. I can't exactly say things were going to plan, because I didn't exactly have a plan. Well, I did. I wanted to get a job there. But I hadn't exactly anticipated speaking to a manager. He appeared, beckoned me. We went in through some glass doors, then another security door to his office.

Suddenly, I was being interviewed for the position. My instincts were honed enough, from years of talking my way around a subject and out of trouble at school, that I was able, much to my surprise, to charm my way into an immediate job offer. I was to start in a few days time. Two shifts a week, Friday and Saturday nights, to begin with. I was to go immediately to see the head usherette, Laurel, and get fitted for a bright red jacket and receive a call sheet, instructions and a torch. I walked across the lobby, almost floating. I was nearly there. One final test to get through. The manager had called ahead, so she was expecting me. It all went smoothly. I winged it. I was in.

Mook and Bianca could not believe it. How??? Really? Yes, it happened. They were happy for me - and it also meant free movies for them, at least twice a week. And I loved it, too, even more so. I had accessed an environment, an institution that I had long desired to infiltrate - the dark pantheon of cinematic wonders, the arena of entertainment, manufactured fantasy. It wasn't yet the level of actually making movies - which was still my ultimate goal - but I had forged through the first protective industry layers of obstruction, using will and wit and temerity. I was no longer just a paying member of the public, I was in the club. On the fray of show biz. Movies were free, now - all you can watch. Not just at Hoyts, but due to a reciprocal agreement, at any and every cinema across the city. Not only that, but I would be surrounded by cinemas (seven), immersed in film, connected more closely to the world of my early predilection. Finally.

I was working in movies!  

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special delivery

17/7/2014

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The first girl to ever grab my package was from Korea. Her name was Angie. It was at a school dance, being held at the girl's school. We were in a hallway outside the dance and as we kissed, she just reached down and cupped a handful. It was one of the most mind blowing things that had ever happened to me up until that point. I was fourteen years old. 

I wasn't a virgin. I had already slept with a beautiful Japanese surfer girl called Yayoi whom I had met at Mobius Disco in Roppongi.  I was a full year younger than my friends, Gordon and David, (whose father's worked as diplomats) and they pressured me to have sex with this girl. I really didn't have any idea what to do. When Yayoi and I were about to get started, alone in my friend David's spare bedroom at the Australian embassy with the lights off and our clothing removed, the buildup to this moment had been so great, that I suddenly realised that I had no idea what to do. Yayoi was also a virgin, so neither did she. I climbed on top of her and our bodies took over. I clearly remember being amazed at how proficient my animal instincts were and how they kicked into gear with an enthusiasm of their own, despite my youthful doubts and inexperience.

The next day, after I put Yayoi in a taxi, my mates took me to a fast food restaurant for a celebration and debrief. I do remember feeling different. I had done something that you only do once. I had lost my virginity. I was glad it was with such a beautiful girl. Even those guys were amazed at how I had pulled such a stunning chick. Truth is, she found me. She liked me. And she made it all very easy. There wasn't love, but there was fondness and respect. I saw her a few times after that, but she lived out of Tokyo (she even had her own car - which was a big deal at the time) and despite a sweet connection we drifted apart. 

That's how I ended up with Angie. We used to hang out at the same cafe with the others. Ange wrote poetry and so did I. She had already attempted suicide by the age of 15. She had a dark, powerful allure. Most guys were afraid of her. Again, she was someone who chose me. I just let it happen. 

That grab, at the dance, in the dark hallway. Phew. It was phenomenal. Until it actually happened, I could never have imagined it possible. Then a few months later, after school one afternoon, in the deserted upstairs area of a small local drinking spot, she did something even more attention getting. Something, I experienced for the first time. She really was a tiger. I was shocked, breathless. Half afraid that someone would walk up the stairs, half beyond caring, in a mesmerising mix of disbelief and pure euphoria.

Yayoi from Japan and Angie from Korea. School was somewhere I went because I had to. My real teenage education was from these two females. They were both there, at seperate times, for my graduation - from innocence to experience.
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life is worth laughing for

26/5/2014

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Lighten up!

There is an abundance of things to be stressed about, enraged about, feel hard done by.... and I'm not just talking about our current government.

Sometimes it seems like the whole world is on the brink of collapse. And maybe it is.

I think its great to join together with others and join protests, take action against injustice, offer support, etc. But, as well, on a personal level, you want to avoid getting over burdened by fretting about events that you can not change and that are beyond the scope of your sphere of influence. There is just too much bad stuff going on at the moment that to take it all on mentally is just going to bring you down.

So, what to do? 

Seek the silly.
Favour the fun.
Follow the path to the pun.
Grow your own mirth.
Group giggles.
Funny accents whenever possible.
Jigs, slapstick, loud farts.

There's a lot you can do. The list goes on. I am not advocating ignoring reality, I am suggesting that you augment it with a fair share of lighthearted enjoyment. As often as you possibly can.

For in the end, whether the world eventually balances out and becomes the utopia it could be, the natural, just and egalitarian kingdom we all want it to be, or whether it all explodes in a flaming ball of human greed and foolishness, you may as well have a snicker or two along the way. Like a school day. It's mostly a bunch of useless bullshit being heaped upon you; play truant sometimes, have fun with your friends, cause some disruption. Cause just like when you make it through school and realise that it was all just a construct of control and oppression... well, so is modern day life in our society. So give it the finger, ignore the bla bla bla, zone out, dream your own dreams, slip out the back door and go find some sunshine and freedom to bask in.

Like Ghandi once said, "Fucking hell! What's the point in endless suffering?!" 

And soon after, decided to never wear a business suit instead and wrapped himself in his bed sheet. Good man.


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young poet

10/4/2014

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While other kids were winning races in school, getting medals, accumulating A's and generally being astute and doing their assigments, I was freeballing poetry. 

On scraps of paper, inside library books, on the back of the bathroom doors I would scribble non-sensible meanderings, brooding shotgun staccatos, ironic, twisted, darkly playful spitballs of concept and word.

I received no recognition, no accolades, no praise or shiny objects to display on a mantlepiece. I received no mantlepieces, either, for my pieces of prose.

Not that I need any. The joy of writing is in the zing of the moment, the clash and clamour of syntax, the spontaneous friendships and rivalries between verbs and nouns, the thrill ride on the free flowing river of creative invention.

Being a moody/arty sort, a hard-to-categorise, passively disobedient kid, I often found myself alone, in silent solitude - skipping classes, missing PE, in detention - and the word clusters soon became my companions, my outlet, my youthful attempts to define soul and express the flavours of existence.


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first part of the journey

9/4/2014

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This long and complex, magic journey can be confounding. 
We start out as small and innocent beings. 
We are simply alive, like all other living things. 
We exist, we experience, we absorb.
Not a lot is within our control, but we adapt continuously and live from moment to moment, day to day.


Along the way, we pick up things, formulate concepts and notions about how we think things work, based on what we are exposed to.
Events, people and situations compound and connect within our ever-expanding sense of the world and our once small and free vessels begin to take shape in reflection of our environment, circumstances and upbringing. 


We react to things, more and more, not in the moment, not without thought, but within a framework, a template that we have created - a sense of self - which continues to grow.
We realise, eventually, that we are not like butterflies or lizards, or birds, or even dogs. We are not just here for the sake of being.


We are conscious, evolving entities and we can make decisions and choices and these will have consequences and repercussions, good and bad, that will influence our situation and our futures. 
We realise that we are part of a massive, ongoing narrative, a reality via consensus that has been going for a long time and that will never end.


Our daily lives are consuming with their own ever-increasing social and physical demands and in our teen years we feel confused, challenged, constricted. Everything is somehow heightened. Highs are higher and lows are unprecedented. 


Childhood has ended so quickly and now we must come to terms with our own changing bodies, consciousness and realities. 
But we are not fully equipped. We often implode. We want to explode.


Our contemporaries are a godsend. At least they can relate. We watch and learn from each other. It's all just making it up as you go along. Some of us are smothered by our parents and families. Some of us are overwhelmed by the demands of school and society in general. We grapple with our own fast growing bodies, with coming to terms with and acceptance of our our own selves. We are vital, we live in turmoil, we seek answers and reassurances. They are not always forthcoming. Somehow we struggle on, take each day as it comes, adapt, continue to climb. 



There are moments, times, of great joy. They may be simple, quiet, they may be wild and liberating. We don't care. We'll take what we can get. We are caged animals. Still within the care and confines of our parent's construct. They have built homes and castles as best they can. We don't realise it then, but they, too, are just making it up as they go along. They are doing what they can with what they have got. But at some stage, despite their best efforts to mould and guide us, we feel that we are being confined, held prisoners. We do not want to think and do as they do. 


We have our own ideas, our own needs and predilictions. Our own identities. We don't want to be told what to do, we don't appreciate being spoken down to. We don't want direction, we don't need a script of someone's concoction. We are ready to adlib our own dramas. We painfully tear ourselves away. They may be holding on to us too tightly or maybe they have had enough of our unruly, precocious ways. Either way, the time comes for seperation, release, detatchment. We are ready, at least in concept, to go out on our own and make our own way through the wilderness. 


By now, we have developed coping skills, we have come to understand at least the fundamental workings of the world, at least our own small world. Some days we feel more than ready to take on everything, other days we realise our limitations and comparative insignificance. 


But we are young, our blood pumps strongly, we have battles ahead and we are ready. We are hungry. We are not yet jaded. We have hope, dreams and desires aplenty. We are no longer children. We are not yet adults. But we're going to get there, as quickly and boldly as possible. We seek and suck in experiences with an unquenchable ferocity. Through real life adventures, romance, experimentation, drugs, travel, companionship, study... we compound and nurture our existing frameworks. We don't stop to think at this stage. We are firing all pistons and we are fully immersed. 
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kuji biki

10/3/2014

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I have awaken early this morning and not been able to get back to sleep - which is rare for me because I'm the consumate night owl / late riser. I generally love the dreams I have in the mornings. But today, no, there's a motor running in my stomach area and it won't allow me to disappear - even though I've had just four or five hours kip.

Lying in bed, a memory from school days came back to me. It's something I haven't thought about for a long time. It is quite a notable event from my formative years.

I attended St Mary's International School in Tokyo, Japan from 1970 to '78. It was run on the US system by Canadian Brothers. It was a high academic performance oriented, success driven school with 99% of it's students continuing on to university education. The boys there were the sons of diplomats and heads of foreign corporations as well as rich Japanese bilingual kids who's parents had returned from overseas postings or who were from mixed marriages. 

There are plenty of stories from those days, but the one that I remembered this morning is to do with a lesson, well a few lesson I learnt about how the world works.

Every year the school would have a carnival and as part of a fundraiser would get the students to sell raffle tickets. I was in year eight, about thirteen years old. Our class held a competition to see who could sell the most tickets, with a prize at the end of the month for the biggest seller.

During school years I was never really competitive or one to strive to win things. But for some reason I decided that I was going to try and sell more raffle tickets than any of my classmates. I liked the raffle books themselves: quality printing, a well crafted detachable serrated ticket printed on a sturdy stock. Each book had either twenty five or fifty tickets - I can't quite recall. One ticket sold for two hundred yen - which in those days, the mid seventies, was something like the equivalent of six or seven dollars I suppose. 

Not many of the other kids really took it on. Most just sold five or ten to family members. A few tried selling them on the streets to Japanese but it was not an easy task as it involved a lot of explaining about where the school was, what it was, what the prizes were, when the draw would be, etc. And also, convincing - about how it was worth it, how good the prizes were, how they could be picked up easily, etc

The average Sho was not that interested. I knew this because I took it to task and every afternoon, after getting home from school, I went up the road from our house in Nishi Azabu, positioned myself on the footpath outside the Azabu Zemusho (Tax Office) and attempted to sell as many as I could for the month leading up to final day.

It was hard going. "Sumimasen. Kujibiki o kaimasen ka?" was my opening line. "Excuse me, would you be interested in buying a raffle ticket?" Most people would not even stop. Japanese - at least back then - do not like their routines disturbed. They were on their way to the next meeting or heading home from work or whatever. Who was this gaijin kid who spoke Japanese? 

A few were curious. I had a whole speech, a self-devised, soft-sell sales pitch. But getting money off people isn't easy. Even if it was for a good cause. (Education of rich foreign kids!)

I learnt a lot about human behaviour in that month of arvos. The nice people, the generous ones, the kind ones, were truly magnificent. They saw things for what they were. A kid busting his ass trying to sell some tickets. They didn't care about the chance of the prizes. They cared about me. It was touching. The majority, though: indifferent, detached, uninterested. 

I remember thinking at the time - I will never forget what it means to be kind to someone who is trying hard and needs a hand.

Anyway, day in - day out, I slowly climbed and maintained top position on the ladder. A few other kids were impressed. How do you do it? I can't sell any!

On the morning of the last day, I handed in my final book of stubs. It was over. My fifty or sixty hours of effort would be soon paying off - with the imminent announcement of the winner and the accolades and prize (I forget what it was exactly but something desirable). I was a shoe in. Nobody was even close. It felt good to have achieved something with hard work and dedication. 

The final tally was done and the announcement was made. 

"And the winner is... "

I almost stood up and began walking towards the front, confident and proud as I was.

"Andreas Odermatt!" 

Everyone cheered and clapped. Andreas, a likeable half Swiss/half Japanese boy rushed to the front and collected his reward. 

Meanwhile I was gobsmacked, sitting up the back, silent and confused. What? What happened?

It turns out that Andreas, not even a blip on the sales efforts radar, had waited till the day before the end, then just got his very wealthy father to purchase 5,000 yen more worth of tickets, so that he could win. 

There was nothing I could do. It was a harsh and completely unexpected reality. All that work.... All that energy and effort...  for nil.

And yet, as the days went by and the sting subsided, I began to realise that my time had not been wasted. I really learnt a lot out there on the streets during those afternoons. I came into contact with many, many people. Some bought just one - a few bought five, maybe one guy bought ten, even. Those interactions, those connections I had with those strangers had an effect on me that  went beyond the value of winning the prize. I learnt about people, about humanity. I learnt subtle lessons from my wide sampling of behaviours and responses that would help shape me as a person.

Since those days, I almost always give to the homeless, to buskers, to people in need trying to sell small wares on the street. Something, however small, something given invites a human exchange and warm connection that is worth more than money. It says, I'm listening, I see you, I care.

Mwaahhh... right? A happy ending! Worthwhile time spent not-sleeping-in. Having said that, I think I'll have a wee lie down right now.  >wink<


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slap in the face

24/10/2013

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The year was 1970. The place: Tokyo, Japan. 

My family had just moved there from the newly developed suburb of Wahroonga, Sydney. My father was setting up his business in Japan. It was winter. We saw snow for the first time. My brothers and I were enrolled in St. Mary's International School - an American system school, run by Canadian Christian brothers, located in Isarago, Tokyo. Half the kids were Japanese, the other half ambassador's sons.

On the first day there, halfway through the school year - for me - 5th grade - there was a special showing of a movie on a special big screen that had been set up in the gymnasium for the entire school. It was packed with over 1,000 people I had never met before. The movie was Patton. I had only ever seen two movies before in my life. One was 'Oliver Twist', the other was 'The Sound of Music' - G rated stuff. I didn't know why we were watching this adult film or what it was about. It opens with a massive US flag and actor George C. Scott - a powerhouse actor of his day - in four star general regalia, giving a passionate, didactic speech about combat and courage. It was mesmerising and somewhat overwhelming. 

Later on, Patton bullies soldiers into action and slaps a gentle hearted grunt in the face because he is afraid. In my young mind, I was that timid soldier and this, my first interaction with my new school was a sharp and shocking awakening. Weeks earlier, I had been at the tiny Bush School in Wahroonga, less than twenty in my class, a pencil and a small notebook in hand, a tuck shop with Vegemite sandwiches and small packs of Twisties, games with sticks and rocks and tennis ballls. Now I was here, dressed in uniform - including grey pants, white shirt, neck tie and jacket with insignia. I was inducted into a new system of regimented learning and ordered behaviour. 

I never really fit in in that school. I often felt silenced and stifled. Bullied by students and teachers. Starting at around the age of 13 or 14, I began to rebel. I smoked cigarettes, cut classes, got suspended. At 16 I got a motorcycle and distanced myself even more. I did no sports (too competitive) or extra curricular activities (clique-y,). My report card showed C's and D's. The only areas in which I showed promise were Art, English, Drama and Geometry. Everything else seemed inane and a waste of my time. I caused disruptions with joking and sabotage. I spent many hours in my favourite place of refuge - the library. I read constantly. I had long hair and was unkempt in appearance.

One good thing was that I was able to connect with a make friends with a lot of good kids. Because I was no threat to anyone, with a casual attitude and I liked to joke and laugh, I found that I naturally got along with almost everybody. Without my knowing, I was excelling at something. Connecting with other humans on a warm, personal level. Sharing stories, adventures and having fun on the outer perimeters of the system. My class in grade 10 had kids from 32 different countries. I was mates with Jin Sa Bum, Yodnapa Chabunsai, Raghu Rao - and even an Aussie kid - David Smith. Weird name, I know!

My sense of humour got me into trouble with older kids with attitude, especially on the school bus. I liked making quips and would not back down when an upperclassman tried to supress or dominate. Often two or three of them would grab me and pummel me. I wasn't looking for trouble. It found me. In later years, I started lifting weights and confronted one of them when he mindlessly hurt me at the water bubbler. Lifting him up and pushing his horizontal body into a wall, I dropped him to the ground and walked away, angry and shaking. He didn't come back to class that day. I thought he might be dead. He wasnt'. But there was a positive effect - after that, the bullying ceased.

My class, '78, just had their 35th reunion in Tokyo. It's a long time ago now. But since that first day, big Patton booming, it has loomed loudly in my memory and psyche. Much diminished now, of course. Integrated, accepted. It was a grand old time. I was a deserter. I didn't believe in their cause: ambition, success, winning, aggression. For even then, although I didn't know it. I was a poet, and artist, a lover and a peace maker. I'm free now - have been for quite a while. Free to be me.
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    ART GETS ME HIGH

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    Author & Artist

    Lewie JPD 
    Blog Mission Statement: 

    "I am taking this opportunity to openly and freely express my simple truth in a relaxed, stream of consciousness manner, without self judgment or editing while transcribing and celebrating the process and practice of being an artist.

    My goal is that I will have some fun recording sentiments and thoughts as they come to me, coupled with my recent imagery. As well; to learn something of value and share something that may inspire/offer insight to other artists, creatives and sentient beings."


    Disclaimer: He's high!
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