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Dead or Improved

22/11/2018

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Not into psychobabble
Quick new age cures
Life, by nature, is flawed, unstable
Replete with random potholes and
Sudden detours

Mistakes made over and over
Forgive yourself!
It’s human nature
Heightened states of threat
Prolonged exposure to distress

You know how it gets

Somehow, we survive
Adjust, reconcile
Do as we must
Metamorphosis takes a while

Ever evolving self
Often undetected or downplayed
Like a glacier
Or a slow cook roast
Over time we get philosophically remade

Restructured
Revamped
Upgrade

Dead or improved
One or the other
Get bruised, lose a tooth
Learn to suffer

There is always a lag
You’re never rid of those bags
The first few decades will fuck you up
Then a couple more to recover

Ever evolving self
The process is slow
Transformation ephemeral
Progressively we grow
But change is not always pleasureful

All faults excused
Face it - we’re fallible
Dead or improved
The hard lessons are the most valuable
​
Dead or improved
Don’t worry
You’ll get there in the end
One way or the other


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Human Connections

22/10/2018

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     As I walked along the beach today, I thought about how I have been lucky in my life to have been able to spend chunks of time with very diverse groups of people.

I came to be thinking about it because of a friend of mine, Colton. We’ve just been friends for a year of so and although we haven’t really hung out that much in actuality, the bond is strong. It’s based on a positive outlook on life, a love of music. self expression and spirit. I answered an ad for a Korg Electribe rhythm production sampler on Gumtree and ended up at a boutique studio tucked away in the hills of Wilson’s Creek. I was met by the sound engineer, a Canadian with dreads and an easy manner. I didn’t buy the sampler but a few weeks later I invited him to a electronic music jam session in Byron and our friendship was formed.

He is one of a handful of musicians and music producers I have come to know over the last few years since I started doing my music production diploma at SAE. There are many top quality people like my teacher/mentors, Tyler from San Diego and James from Scotland. As well as them, there are the audio techs at school, fellow students and numerous DJs and local musicians who I have come to be friends with.

Spending time and interacting with these peeps has been a wonderful side benefit of my decision to studying music. Being around musos, I have come to know the breed from the inside. And I must say, they are a quality ilk. Easy going, considerate, and talented. Before I found myself enmeshed in the audio world, in my decades previous as more of a visual - art and film - person, I have to admit, I kind of always considered audio studies to be less desirable. It didn’t seem to offer the same vitality and energy that say, shooting or directing presented. I never considered it as something I would choose. Ironically, now that I am in it - deeply immersed - I have come to realise that it is a fantastically rewarding pursuit - in some ways the best ever. It’s like I stumbled into an entire world of wonder and magic that was always right there - I just never knew. It has been a revelatory experience, one that seems like it will continue to engulf, thrill me and pay me creative dividends way beyond expectations.

As well, it has connected me, more tangibly, with a new group of excellent people. Audio people are a true cool breed and I am very happy to be part of this exciting new subsection of creators.

I recall feeling a similar thrill when I was just nineteen and in my first year at art school. I looked around and thought; Wow, everyone here is kind of a weirdo! I found a place to belong! Previous to that I had tried two universities - Sophia, Tokyo and Sydney and found the whole academic world to be far too passive - too rote - too dry - and mostly unrewarding for me. At art school it was all about doing - expressing who we were - as honestly and intensely as possible. Not about being fed a whole bunch of old, preexisting concepts from books. We were there to discover and find meaning by making stuff - images, drawings, paintings, sculptures. I was lucky, cause back then National Art School was 95% practical. Just doing. There was an art history class - but it was just looking at slides after smoking joints and casually discussing images together and with the teachers - who were all practicing artists. Indeed, in third year of the painting major, we were each given a small studio space on the top floor an old sandstone jail and instructed to go for it. Teachers would drop by now and then for a chat, but really it was about allowing us to forge out own ways. A lot was learnt from each other. I loved being friends with and hanging out with artists back then as much as I do hanging out with musicians these days.

Back in high school in Tokyo, the group I eventually became part of was twofold. One was a couple of guys from the year below me. I was young for my class and although I did have a few friends it wasn’t till I somehow started hanging out with a Canadian, American and Brazilian guy from the class below (Richard, Kurt and Ricky) that I really found a place to belong. It helped that we were all non-conformists, rode motorbikes and liked partying. The other group I found place with was with the girls from the girls school. They would all go to a tiny basement cafe called Comos, in Hiroo, and drink coffee, smoke cigarettes and banter. Somehow, I became part of the gang. There were a few other guys, as well, but it was mostly the girls. A Hawaiian, a Texan, a Korean and a Japanese Brazilian were the stand outs. I learnt so much about life from these chicks. The Hawaiian girl, Jenny, and I became best friends eventually. She was one of the best people I have ever met. At the time, I was a little over weight and kind of an outsider, but through humour, a love of casual hanging out, and a willingness for explorative mischief in general - I became an integral member of the group. I was privy to some amazing stories and inside info! At school I was a non-achiever, not into sports or any extra curricular activities. I had trouble with authority and an efforts by teachers to order me around would get my back up. I mostly avoided trouble (by not getting caught) but did not find much value in the system - other than it supplying my clan and opportunities to facetiously rebel.

Another group that came out of this time was the night life people. I used to go out to discos and nightclubs and became friends with a number of Japanese nightclub workers, owners and partiers of the time. I also got to know some hostesses, high end call girls and members of the yakuza (tough but honourable). Being fluent in Japanese at the time was unusual and having lived there since the age of ten, I had insight into and respect for their traditions and mannerisms. I was a friendly, fun-seeking teen and was quickly able to become a kind of mascot to a number of interesting characters. In a few Roppongi nightclubs I was more than just a regular, I was availed special treatment - like being able to hang out in the DJ booth, sit in the VIP areas on occasion, and supplied with plenty of free drinks. It was pretty awesome. My preferred garb of the time was the full disco regalia - wide collared open shirt, vest and jacket - with heeled shoes or cowboy boots. I was as close to John Travolta in Saturday Night Fever as there was. It was an awesome time. A few times I almost got into some trouble, but somehow always managed to avoid anything serious. And again, it was because of my proximity and connection to the group that I was able to find meaning and satisfaction in the scene. I had incredible access to the Japanese ‘mizu shobai’ (nightlife world) of the time and got to witness and experience some dynamic and exciting things thanks to my proximity and friendships with key players.

A decade later, in the 90’s, it was all about film. A group of us used to hang out at the Tropicana cafe in Kings Cross - actors, writers, directors - and talk about projects and dreams. This was a fun bunch, too. I had found a new gang. The Tropfest was born in this time. I was there when it was first discussed - just an idea. John took it up and ran with it. My friend Rob Mac and I each had our short films in the first two - screened at the cafe itself back in those days. Rob and I went on to make a TV show called Coo-ee Australia for Japanese TV on spec. Many of the actors from those days have done well and we’re still friends. I continued to be involved in the film business for a decade, working on mostly Japanese TV commercials, TV shows and documentaries around Australia, New Zealand, the US and Japan. Film crews were my new family. Another fine bunch of people. Grips, DPs, art directors, runners. Lots of free spirits convening on projects. Like a circus troupe. Hard workers. Hard players.

After that I tried my hand at screenwriting, studying in LA. That was pretty solitary. I spent about three years immersed in that world. Studied at various places, read a thousand screenplays. One by one, I wrote six features. None of them got picked up. Maybe if there had been a gang, I may have endured.

The next group was poker players. What started as a casual tournament down at the local ended up lasting for a decade and over 3,000 tournaments. In the end I was semi-professional, making a few hundred a week, playing most nights, travelling around to wherever a good game was. Poker players are another strange breed. Itinerant, quirky, strong personalities. I got to know some good people, making friends from Lithuania, Germany, Britain and the US, as well as plenty of Aussies. Shared some good adventures and laughs.

So… it’s all about the people. Forming connections, bonds. Finding your tribe, or tribes that fit with what you are doing. Sharing pursuits, passions, techniques, goals, dreams. And now that I consider it all, it is the friendships and those special connections that endure. Memories were made. Some I will never see again. Most. But it doesn’t matter. We shared some good times together. It’s good to be part of a gang, affiliated with and immersed together in a common pursuit. We humans are good for each other.

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Larger in Life

11/10/2016

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20 Lessons Learnt While Not Losing My Extra Kilos

1. Those mini Snickers are pretty damn cute.
2. Eating snacks in bed while traditionally not encouraged by health advisors doesn't need encouragement to be engaged in anyway.
3. 'Why am I walking differently to when I was slimmer?' is a perplexing question that can and should not be pondered upon extensively.
4. Larger size clothes are much more relaxing.
5. Relaxing is good.
6. Starting a diet now would be too big a shock to the system and adverse to mental well being. Don't even think about it. 
7. As long as you aren't eating two pack of anything - chips, biscuits, whatever - in one sitting, you can retain your dignity.
8. I make other chubby people feel better about themselves. That is a good thing. A service. Selfless. Commendable. 
9. Who knew cheese would be a thing?
10. Everyone has their weakness. Mine just happen to be delicious.
11. Sometimes I'll see a cyclist or a jogger and actually feel sorry for them. It all seems so intense. They don't know what they are missing out on.
12. Cake is not just for birthdays.
13. If I eat salad and veges a few nights a week, I am keeping a balance.
14. Big bones.
15. Most people are too caught up in their own internal dramas to worry about mine.
16. You don't want to go too far, just a bit further than normal.
17. Maybe there's a part deep down that needs comforting, even demands it. I'm just looking after that part as best I can for the time being. 
18. Heft is humbling.
19. Manual labour was never my thing anyway.
20. As long as your face doesn't look fat, you're still OK.
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The Story of Sid

23/1/2016

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Isn't it great when life surprises us, teaches us something about ourselves, about life itself, about others, humanity in general in a way that impacts us so strongly that we never forget it...

It is humbling and also uplifting. It smashes, or maybe melts away, disintegrates an existing, limiting world view and gives birth to a new one that is much more appropriate, informed, useful.

 For some reason, I just remembered one that I got while I was at art school in Sydney in the early eighties. 

One of the reasons that art school was great was that there were a lot of freaks and weirdos in attendance. Not in an extreme way (mostly) but everyone certainly had a quirkiness to them. The other really cool thing is that, at least in those days, at that school, it was all about doing stuff, making stuff, creating. So you got to know people through their work. We showed each other who we are through our expressions. Thinking about it now, it's a pretty damn awesome way of doing things. And the goal, the goal is not to be the best, the coolest or the most whatever... the goal is to be true to yourself. To cut through shit and put soul into it. Nobody was trying to outdo anyone else. There was heaps of support and encouragement but not too cheery or overt, certainly not put-on or motivated by anything artificial. Everyone was pretty chilled, just being themselves and through a natural order of things, things fell into place. 

Society these days is not like this enough. Too many are motivated by money, fame, attention, status. But really, all that is phooey!

Yes, you heard me. Phooey!

I have never used that word before and I like it. I like to believe that I have always wanted to and was just waiting for the right moment to present itself. And it has. Just now.

What really rocks, what actually is of substance, of lasting meaning, or enduring value is more real stuff, baby. Stuff like .... relationships, showing care, connecting, having adventures big and small, love, kindness.... you hear me, I know you do. All that stuff. It used to predominate, but it is being sounded out by the roar of media bullshit.

Of course, we don't really believe it, not fully, all that crap, but it's a pity to have so much INTERFERENCE happening, so much glitzy, shimmering, desire and craving creating CRAP bombarding us from all angles. It is distracting. And rather time wasting. Paper thin, though. Without substance.

Anyway... back in the day... (let the old codger speak)... I was lucky enough to spend three years in an institution that was fully into the dynamic and glorious pursuit of ART in all it's wonderful forms.... from printmaking to sculpture, to line drawing to B&W film photography, to painting and a little bit of art history. The people, mostly kids just like me in their late teens and early twenties, were the best part of it all. The teachers, too, back in those days, were all practicing, exhibiting artists. They didn't just talk the talk - in fact, some hardly spoke much at all - they lead by example. 

And, of course, we all learnt, grew, from watching and sharing classes and creations with each other.

So, there was this one guy called Sid. He was a little older. Maybe early thirties. He was a blue collar worker. Used to be a bricky. He was real Aussie; down to earth, kept it simple, straight forward. He was a gentle man and even seemed a bit simple at times. Although, he wasn't. He was lucid and passionate and devoted to art. He left behind his job and took a big chance by coming to art school. Even amongst a collection of not-fitter-inners, he didn't quite fit in. He was a nice guy, though, and was treated with respect but some of his early art attempts were.... I don't know... you know... I guess kind of immature and under-formed. So once in a while there were a few snickers. He didn't seem to be cut out for it. And yet, there he was plugging away. Enjoying himself.

He and I got on pretty well. We are both the type to get along with most anyway. But it was more of a mutual respect thing than a friendship. 

I have got to admit that I never expected that Sid's pursuit, as devoted and dedicated and invested as it was, would lead anywhere. He seemed to be missing a few of the essentials, some connectors. He was a bricklayer, after all. I did admire his guts to chuck that in and give the art a go, though. 

Year one ends and we each choose a major for second year. Sid chose painting. I chose photography. For some reason, in those days, though, photography was only two years, whereas painting was three. I hadn't properly realised this, so just before the end of year two, I put foward my case to the head of school and the painting group leader, that I switch over to painting and go into year three, effectively doing a double major. No one had ever tried it before, and I was very keen and the dudes were pretty mellow and not that interested in sticking to rules, so they said OK. I was elated, of course. Year three you get your own studio space, a few square meters each, in this big old building. There was hardly any instruction. We all just did our own practice. We painted. All day, every day, for a year. And it was awesome. The rest of the gang accepted me immediately, knew me from year one, and were happy to have some fresh flavour. I loved that year. We were young artists! It felt beautiful!

Anyway, here's the thing... Sid couldn't do year three, for some reason. A medical thing with his new wife or something. But he did complete year two in painting. 

At the end of year two there was a showing. Everyone got to chuck their works up for exhibition. All the buildings were bursting with fresh, zestful works. I recall walking through it all and being surprised, delighted and inspired. More specifically, I recall walking round a corner and seeing three large paintings on canvas. They were abstract. Big block shapes, rectangular. Textured, multicoloured pieces. I was impressed. They were truly magnificent paintings. Surely, these weren't done by a student! There was a confidence to them, a sure handedness, that extra special something that makes some artworks transformational, elevated. I was transfixed by them. As were many others. After a prolonged staring session, I moved in closer to little tag to the side. The name was familiar. It was him: Sid. 

He had broken through! He had found his way. He made it work. He expressed his true self with paint. They were giant bricks!! OMG. I will never forget it. It was close to a miracle. Who would have thought he had it in him. A true artist. Sid. Good on ya, Sid. Wherever you are. You inspired me, mate. Awesome. You broke through. Bravo!


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20 lessons from 14

26/12/2014

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1. You can go lower than you thought.
2. You can come back from lower than you thought.
3. Not all friendships endure.
4. People influence other people. Not always in a good way.
5. It doesn't matter how good you think you are - it's a delusion.
6. Time can be both a friend and an enemy.
7.
8. Getting older (50 and beyond) can be fascinating and enlightening - but you need to let go of some stuff and pay attention to what you've got.
9. Kids are pretty much the best things in the world.
10. Romance is mutual delusion. Sometimes it will carry you through to something of substance. Sometimes it will dump you on your arse.
11. If you can be good friends with yourself; it helps.
12. As time ahead diminishes; focus sharpens, energy is reserved for what is essential.
13. Laughter is still, and always will be, the best drug.
14. Laughter shared is even better.
15. Any kind of judgement of others is probably wrong. At best it is a waste of time.
16. The smallest things are often the greatest.
17. Some dreams - those no longer attainable - are to be released into the night sky. This makes way for new ones.
18. Consider yourself lucky.
19. When you can (or must) - step up to the plate and give it your best swing. Don't let too many pitches fly past. 
20. Magic can happen at any time. Don't be prepared.
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    ART GETS ME HIGH

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    Author & Artist

    Lewie JPD 
    Blog Mission Statement: 

    "I am taking this opportunity to openly and freely express my simple truth in a relaxed, stream of consciousness manner, without self judgment or editing while transcribing and celebrating the process and practice of being an artist.

    My goal is that I will have some fun recording sentiments and thoughts as they come to me, coupled with my recent imagery. As well; to learn something of value and share something that may inspire/offer insight to other artists, creatives and sentient beings."


    Disclaimer: He's high!
    Er, obviously.

    Pass the paint brush!
    *no drugs required

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