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letter to artists

5/5/2014

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Dear Artists,

It's a funny thing we do, eh?

Make pictures. 

Use line and form and colour, shading and perspective to make images. They come out of nowhere. Out of our heads. From out souls, through our bodies. 

Control and release. Control and release.

We watch ourselves in action, make amends. Where is it going? Shall I reign it in now or keep the flow? Will I go too far? Will I ruin it? Is it any good? What IS good?

Years and years and years it takes to truly find your groove. 

When you are beginning, it's experimentation. It's easy, joyful, tentative. With a few of the early pictures, there's the element of pride and a sense of accomplishment. "Look what I've done!' It feels amazing. It's almost like a drug. As you progress, you venture further, you apply yourself for longer and longer. You realise that it is no longer just a distraction. You become aware that you have found something, an activity, that gives back as much as it demands. 

It's one of the most complex puzzles that exist. It is never ending. The only rules are that there are none. You can do what ever you want. There are no wrongs or rights. It's all up to you. The freedom is incredible. And somewhat overwhelming, too. So much. Too much. There has to be some kind of structure. One that you make up for yourself. A form, guidelines within which you can let loose. You decide what is good. You feel what is good. It's very honest. There is no kidding yourself. 

Before you have a relationship with art. It's sublime. The more you enter into it, the more time and energy you invest; the more you get in return. But your return is not necessarily evident to anyone else. It is not tangible. It is not a trophy or money or a cheering crowd. No, no, art is too, too precious, too mindful and murky, mysterious and profound for that. It is connected to pure soul. It is not something that can be bought, traded or sold. Not the spirit of it. A great work of art contains spirit, sure, but what is captured on the canvas or the paper is only a remnant of what has gone into. A hint. The size and quantity and breadth of the passion that has powered the artistic creation is immeasurable. Immense. 

Creating a work is not unlike riding a wave. It cannot be boxed, labelled, re-created. It is fully being in the moment. Fully. Being. In. The. Moment. It is ecstasy. It is release. It is a pure connection with the absolute. 

You know what I am talking about, right? You've been there, too? Not often, but often enough. Enough to want more. Enough to be grateful. Grateful to be lucky enough to realise that whatever else may transpire in this chaotic, demanding, wounding, beguiling world: you are an artist. You can transcend. You have been given the tools and you have, with passion and diligence, applied yourself, focused your body and mind, channeled your spirt and contributed to the beauty and wonder of what is real, what is true, what is pure.

You have allowed your soul to shine through. Through the quagmire of daily demands, through the mist of social confusion, through the representation of at times debilitating personal demons - the ones that are out to get you! still!! - through that, through that to something timeless and ethereal, something momentous. You have brushed up against the infinite for a few seconds, in your avid pursuit of image and splash. 

You have glimpsed the glorious nature of nature and the brilliance and light. You have shifted shapes and animated line. You are a knight, a warrior, a hero to no one other than yourself. And even then. No, no, you are  a hero. For a time. You have put your entire being on the line for something you believe in. Something intangible but more real than anything. Life itself. 

You have communed and communicated. Touched and responded to the essence. Struggled and struggled and struggled some more. Until, years, decades later, you have found yourself. Standing in front of an image that you have conjured up out of nowhere. You know it but you don't it. You made it but you didn't. It is more that an expression, a picture. It is alive. It is you.

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all the things I've never done

3/5/2014

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I was thinking the other day, while walking on the beach about just how many projects there are that I have conceived or started but not finished. There are so many! Ideas come to me fast and thick and are never ending. The ones that come to full fruition are only the tip of the iceberg. One in a hundred or less.

There are multiple reasons for this. Timing, circumstance, attitude... Even if I was a hyper achiever, I'd still probably only be able to execute 5% of what I cook up. Sometimes I justify not doing more by telling myself that it's just the kind of person I am, my destiny; to enjoy thinking things up - and then letting them go. I do very much find satisfaction in the conceptual part of a new project. It's all so potentially perfect, so grand, so unrestricted. Often, I will have an idea for a book/movie/creative project that I will see appear in the public realm five, ten years later. I'm sure this is not uncommon.

On the other end of the spectrum, many times I have attempted to make things happen, to manifest ideas - and reality has just not cooperated. For example, in the late nineties, after studying screenwriting at UCLA, I spent two years full time writing screenplays. I completed a total of six feature films - one for young teens, a chick flick, a feel-good indie, a fantasy film, a comedy and a coming-of-age action/drama. After they were done I spent a year trying to get interest/sell/get funding for them. I concentrated mainly on the last one - which I think is the best and has the most commercial potential. I am not, however, a great sales person by any stretch, and nothing came from any of it. They sit in a box in storage. It was disheartening, I cannot deny, and yet, I did still get great pleasure in the act of writing them. Of course, I have continued with my writing and had subsequent success with radio plays/ comedic monologues and short films. But screenplay number seven is yet to be.

I have also written full outlines for a three character one-man-show and a grand scale musical over the last few years, but they, too, remain concepts - unreleased, not invested in, scribbles in a notebook. 

Sometimes, I do the work to manifest something and it is blocked at the last stage of realisation or snatched from my hands. A documentary about Bay FM radio station, Bliss Jockeys, that I wrote and directed was snatched from my hands by a megalomaniacal/paranoid producer at the very final stages because of ownership disputes. After a deal with SBS fell through, he ran off with the tapes and chopped them into segments, put them up on his YouTube channel as his own. That was a full years work. 

In 2002, after self publishing my first book, 'All I've Ever Wanted Is What I Know I Can Never Have', and getting satisfaction and encouraging feedback from it, I embarked upon a follow up, 'Karma Rama'. I spent the next 18 months working on it. Once completed, I fully designed the front and back covers, and got it print-ready in Quark. While I was busy trying to scrape together some money for a first run, my computer died. Salvaging it from the hard drive would have cost more than I had at the time. The book never happened.

All sounds a bit sad, in a way. But it isn't necessarily. For me the best part of a project is in the thinking up and the creation. What happens with things after that is a bit boring. Of course, it is wasted effort and disappointing when they get so close to fruition, but I am so quickly onto the next thing that I soon forget.

As an evolving creative entity, my lessons and greatest joys are in the actual doing of things, the initial spark, the first rendering, the birth of ideas. From nothing to something. What kind of somethings they become and whether or not they solidify a place of any distinction in the world is not where I put my attention.

My journals are full of things that could have been. Books, movies, exhibitions, shows. It's not too late. Some may still find there way back into the process. Who knows. But most of them are just part of a wild and zesty creative machine gun process. Benign bullets billowing in the air. With a charged-up and staccato-laughing genius/madman alone on the beach with his never-ending supply of artistic ammo, filling the horizon with new thoughts and concepts that take shape and form for a time, then, like the clouds, drift off into the ether, the endless blue.

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tree of knowledge

22/4/2014

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'Sorrow is knowledge, those that know the most must mourn the deepest, the tree of knowledge is not the tree of life. ' 


LORD BYRON
Hear you, LB, I hear you. As I get older and accumulate wisdom and knowledge and a wider perspective world view, I can see with increased clarity just how much suffering is involved in living.

When you are younger, it is easy (and natural) for youthful vitality to carry you through the years of exploration and adventures. It's like riding a wave. The velocity doesn't often allow for you to take time and really inspect life as it rushes by.

But hit fifty and, wow, things change. No more free rides, no more yelling and screaming sans souci. Contemplation descends upon your existence. You cannot ignore things as easily. You cannot ignore the throbbing truth of reality. This too is a natural occurrence. You are more or less ready for it. 

Usually a bit less than more. 

So you have to dig deep. Truth is harsh. Things don't turn out as you imagined. Romance fades. Notions of beauty and magic wither. And yet, you can not let yourself become jaded. You have to find what goodness you can amidst the wreckage. You have to not only continue to survive but you have to use whatever skills and energy you have to somehow rebuild a version of yourself that is less idealistic, less consumed and consuming, less charged. You have to accept your mortality. You are reminded of it more often now. 

You need to see the bigger picture. Divest from ego. Jettison a large trunk of self serving activities and realise that the time for taking is gone and the time for giving back is nigh. This will be a large part of your salvation. This will make the sting of the realisation of lost youth hurt less. 

There is still time to grow. Still plenty to enjoy. Sink not into the morose. Be not a victim. But do not ignore stark truths either. You are heading towards the exit now. But on your way out you can still slap a high five, scratch a pithy caption on the wall of the corridor. You can even blow a fucking hole in the wall and make a window for those to come!

So lament not. Feel the sorrow. Express it. Release it. And accept the kiss of each morning's sun with a steady, kind and open heart. It's a new day. A new day for everyone.
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wondrous journey

20/4/2014

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Yesterday morning when I got up, I went to the bathroom to evacuate my distensible membranous sac and as I stood there looking out the window at the late morning light hitting the trees and leaves, I was profoundly aware of the omniscience of life and the exquisite grandeur of this planet. Simultaneously I felt suddenly aware of my own relative tiny-ness and insignificance. 

Certainly, within my own mind, and body, within my personal reality-construct, I am key, larger than life, the central player. As we all are in our own consciousness. But in that moment I realised with quite a powerful peeling back of the layers, that one humble human life is such a minute part of the gargantuan and infinite mechanisms of the world and the universe. And not just as a concept - I actually felt it vibrationally.

I greeted my revelation with a mix of fear, surrender, wonder and awe. It was truly the first time so far that I have completely without any pondering or meditation, focus of thought, experienced such a wave of pure obvious truth. 

I have had out of body experiences since I was nine years old. The first one came about while sitting in the back seat of an old Beetle VW on the way to hospital after I had been bitten by a deadly funnel web spider. I remember looking out and up at the tops of the trees and the sky and thinking, well, this could be the end of the line, I may be skyward bound myself in a few hours. 

A few years later, in a Tokyo hospital, I was given a near overdose of pain killers and tripped out so heavily that I remember hanging on by the thinest of threads, slipping in and out of consciousness. I realised then, that life itself is tenuous at best, unpredictable and well beyond our mortal control. 

At 17 with a good mate and some fresh hashish, during a deep and meaningful, relaxed dialogue I felt a wave of deepening connections to the omnipotent forces and a depth of understanding beyond my tender years. I cried and cried, at the beauty of it all. Sobs of joy - and then the munchies.

In my twenties, I experienced some magnificent, delightful and astounding revelations on my first ever LSD trip. Subsequent ones never equalled the first, so I curtailed my intake.

In my twenties and early thirties, I sometimes felt my awareness/consciousness was like a wild, wild horse. I did my best to remain on it's back, but a few times, I felt fearful. Never one to shy away from looking over the edge, occasional violent gusts of wind, would make my mouth dry and my head spin. Close calls were rare, but disconcerting. 

Around 33, things spiralled beyond my control and I began to experience fully fledged anxiety attacks. I endeavoured to ride them out, work my way through this stormy period, but my doctor at the time said she would refuse to see me if I didn't get immediate professional treatment. She was convinced it was necessary, so I acquiesced and enrolled in a weekly group therapy to curb the escalation of panic attacks. It was most entertaining and eye opening, and more importantly, it equipped me with the techniques to stop the escalation. I have not had one since. (If anyone reading this has them, I strongly recommend these anxiety management classes.)

In my forties, I moved to Byron Bay and lived in a Buddhist temple. I was a temporary guest of the head monk, initially, but was invited to stay on, even though I elected not to astutely follow the path to ordainment, due to an aversion - from an early age -  to imposed structure, expectation and assesment. Instead, through a impromptu, self-evolved hybrid technique of meditation, solitude, quietness and self investigation, I lived in harmonious tandem with the monks with a strong mutual respect for three years.

The through line here reveals a predilection for exploration of the mind and consciousness; the spiritual journey. It is something that comes in waves, spirals, peaks and troughs.

So, when I felt that stuff, yesterday morning, it was with a mixture of surprise, near overwhelmingness, amazement and, eventually acceptance. You are exposed to what you need when you are ready for it. Also, I realise, now that I am in my early fifties, I am well past the half way point of my journey. I am heading towards a period where one can ruminate over life experiences lived - celebrated and endured - and use the colourful maker pegs of the highs and lows to assist in the speculation of what is to come - or more aptly - what 'is'.

I feel lucky to be an artist, somewhat of an outsider in society, because it avails me time and freedom to pursue nefarious things and ponder questions regarding the true nature of existence. We are an evolving species, now faster than ever, so to be able to step away, step back, view from a distance, the immense madness and divine chaos in it's infinite variations is a blessing and an honour. 

That sounds a bit like the ending of a speech. But to who? And what for? Everyone is much too busy with their own whirling, constantly demanding realities. And, each is so important in it's own way. Otherwise, it would not be. So, acceptance.

I realise my own need not to get to spaced out or esoteric. I do things to keep it simple and true. Eating, walks on the beach, swims, laughing with friends. It's such an incredible ride - sometimes you just have to hold on and hope for the best. Other times, you can sit back and watch in wonder. Wherever you are, whoever you may be, I, as a fellow human am communicating with you my own truth, as best I can, in an effort to connect and commune. I am telling the tales of my adventures. Whilst many of them are in my head, they are no less real, and no less worthy of sharing. 

I am encouraging you to have no fear. And to get to know yourself, to find and forge your unique place in the world, then to share your truth in whatever way suits you best. 


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    ART GETS ME HIGH

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    Author & Artist

    Lewie JPD 
    Blog Mission Statement: 

    "I am taking this opportunity to openly and freely express my simple truth in a relaxed, stream of consciousness manner, without self judgment or editing while transcribing and celebrating the process and practice of being an artist.

    My goal is that I will have some fun recording sentiments and thoughts as they come to me, coupled with my recent imagery. As well; to learn something of value and share something that may inspire/offer insight to other artists, creatives and sentient beings."


    Disclaimer: He's high!
    Er, obviously.

    Pass the paint brush!
    *no drugs required

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